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Ben Affleck

  • Caryn James
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    Your Burning Oscar-Show Questions Answered, MacFarlane to Best Dead People

    The Oscar show was bloated with movie music that had no reason being there. (A tribute to Chicago? Other than the fact that the Oscar show producers Craig Zadan and Neil Meron also produced that movie .. oh yeah, that’s why). It had Seth MacFarlane, whose jokes might have been offensive i...

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  • Caryn James
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    Predicting the Oscars: Don't Trust Me, Trust Nate Silver

    I was thinking this might be the first year in recent memory when the Oscars actually held some suspense about the winners. Is anything really a lock for Best Picture? What about that wacky Best Directors race, already full of also-rans? Then I read Nate Silver’s thoroughly lucid and comp...

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  • Thompson on Hollywood
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    Oscar Watch: Why Actor-Directors Have the Advantage at the Oscars

    What’s been overlooked amid all the wringing of hands, gnashing of teeth and what-were-they-thinking hysteria surrounding Ben Affleck’s alleged “snub” as a Best Director nominee, is the degree to which the director’s branch has defied Oscar history. “Argo” is a fine, sturdy entertainment, a movie ev...

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  • The Playlist
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    15 Thrillers From The ‘70s You May Not Know

    Sporting the old '70s Warner Bros. logo off the top (much like "Magic Mike" did earlier in the year), Ben Affleck's "Argo" spells out its throwback intentions right from minute one -- this is going to be a picture in the mold of the '70s thriller, often coming with strong political bent. Affleck's m...

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  • The Playlist
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    Watch: Ben Affleck's Directorial Debut 'I Killed My Lesbian Wife, Ηung Ηer On A Μeathook & Νow I Have A Three-Picture Deal With Disney' [Short Film]

    This isn't quite fair -- it's a bit like shooting fish in a barrel. No one's amateur/college-made first directorial effort is good. Hell, no one's independently-funded first effort is generally very good (see PTA's "Cigarettes & Coffee" or what's left of Quentin...

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  • Thompson on Hollywood
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    The Hollywood Education of Ben Affleck, from 'Chasing Amy,' 'Armageddon' and 'Shakespeare' to his Second Act and 'Argo' [VIDEO]

    Before accepting the Santa Barbara Modern Master Award from childhood pal Matt Damon, "Argo" helmer and star Ben Affleck, 40, with graceful help from master interviewer Leonard Maltin, showed his mettle as charming raconteur and ace impressionist. These skills have served "Argo" well in its surging ...

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  • Indiewire
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    IW Talks to the Oscar '13 Nominees: Ben Affleck Lays Bare the "Tremendous Amount of Insecurity" He Had in Bringing 'Argo' to the Screen

    'IW Talks to the Oscar 13' Nominees' is a daily series running through to this year's Oscar ceremony (February 24) that features new or previously published interviews with some of this year's nominees. Today, we're running an interview with "Argo" director-star Ben Affleck, whose thriller is a fron...

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  • Thompson on Hollywood
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    Vanity Fair's Hollywood Edition 'A Celebration of Friendship,' Featuring Bruce Weber's Photos of Affleck, Stone, Cooper and More

    Vanity Fair’s 19th Hollywood Portfolio, shot by Bruce Weber, includes 75+ stars, from Tom Hanks and Amy Adams to Quvenzhané Wallis and Eddie Redmayne. The cover stars Ben Affleck, Emma Stone and Bradley Cooper.

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  • Leonard Maltin
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    BEN AFFLECK ON STAGE

    Every year, the Santa Barbara International Film Festival gives me the opportunity to host its Modern Master tribute to a major star or filmmaker. This year Ben Affleck and I spent more than two hours on stage reviewing his career, with excerpts from his many films, beginning with "Dazed and...

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  • Thompson on Hollywood
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    SAG Awards: With Critics Choice, Globes, PGA and SAG Wins, 'Argo' Now Challenges 'Lincoln' (VIDEO)

    Ben Affleck accepted the Modern Master Award at the Santa Barbara International Film Festival Friday night, and at the after party, grilled me about where "Argo" stood in the Oscar race. A lot of people thought the movie might win the Producers Guild's top award Saturday, and so it did. But few expe...

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