The word "art" within the context of cinema can sometimes be embarrassing to use. Much of the "cinema," movies or film we consume is consumer-driven -- well-calibrated, committee-made popcorn to entertain the masses. And indie films made by auteurs -- cinema as recently defined by Steven Soderbergh ...
Read More »
Few Mexican filmmakers have achieved the global exposure of Carlos Reygadas, although he's not exactly a spokesperson for the country's allure. Reygadas' formally daring, visually inventive narratives present spectacular and frequently unsettling perspectives of Mexican life from the countryside to ...
Read More »Almost a year ago, we dubbed Carlos Reygadas’ “Post Tenebras Lux” one of the most anticipated films of the Cannes Film Festival and we were proven right when Reygadas won Best Director for the film at the festival. Although the picture did not please all, our critic at Cannes was not especially impr...
Read More »Mexican filmmaker Carlos Reygadas has developed quite the reputation over the years. The auteur is best known for his films “Battle in Heaven,” “Silent Light,” and his latest, “Post Tenebras Lux.” His last film actually won him the Best Director prize at Cannes la...
Read More »Strand Releasing has acquired all U.S. rights to Carlos Reygadas’ “Post Tenebras Lux,” which most recently screened at AFI Fest. The specialty distributor plans a May release at Film Forum in New York.
Read More »On rainy evening in the south of France, Nanni Moretti and rest of the Cannes Film Festival jury gathered at the Lumiere theater for a star-studded ceremony to hand out the awards for this year's fest. And there were some big surprises in store.
Read More »Narrative is the devil in Carlos Reygadas’s baffling and intoxicating "Post tenebras lux."
Read More »A key distinction between Mexican director Carlos Reygadas' completely baffling "Post Tenebras Lux" and his previous feature "Silent Light" comes from comparing their opening sequences. "Silent Light" begins with a supremely lyrical shot of natural imagery slowly fa...
Read More »When discussing Carlos Reygadas’ “Post Tenebras Lux,” comparisons to “The Tree of Life” come easily, though Reygadas’s film is as far from a paean to God as it gets. In fact, while Malick’s movie has a sweeping, hands-on perspective on enlightenment and God, Reygadas’ (“Silent Light,” “Battle in Hea...
Read More »