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David Fincher

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    Fincher Calls Girl with Dragon Tattoo Swedish Noir, Adds Cast, as Filming Begins in Stockholm

    As he starts production of The Girl With the Dragon Tattoo in Stockholm, David Fincher's final cast is looking good. The director told Sweden's SvD that he's added Joely Richardson (Anita Vanger), Steven Berkoff (Frode) and David Dencik (young Detective Morell) to the ensemble led by The Social Netw...

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    Gender Watch: Is Social Network A Sausage Fest or Sexist? Franco in Drag, Manly Names

    - If The Social Network wasn't scoring at the box office and with critics would women writers keep piling on this ongoing debate? Women And Hollywood's Melissa Silverstein argues that controversy surrounding the film's lack of female characters proves "in no uncertain terms that you can’t get away with this even if the movie is good and even if it may be an Oscar front runner." She's referring to what PopWatch's Jennifer Armstrong defines as "downright appalling depiction of women," which "is horrendous, like, ’50s-level sexist - if this were fiction, the snubs would be inexcusable," serving as "strong evidence that we still need feminism." T...

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    The Social Network's Treatment of Women, Winterbottom's Kercher Murder Mystery to Star Firth

    -It's no surprise that David Fincher and Aaron Sorkin's The Social Network is getting Oscar-buzz, zeitgeist hype and debates about what is fact and fiction. Now the role of women in the film is kicking up controversy. The Daily Beast's Rebecca Davis O'Brien argues that the femme roles are props in a...

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    The Social Network Plays Well to Academy

    Saturday's Academy screening of The Social Network played well to a full house--the movie also opened at number one this weekend, and scored rave reviews, which won't hurt with Oscar voters.

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    Weekend Box Office: The Social Network Clicks to Top

    The most buzzed-about launch of the fall season, The Social Network met (but did not exceed) expectations with a $23-million start, while hard-R vampire thriller Let Me In proved to be a classic tweener: too bloody violent for upscale smart-house crowds and too European for mainstream gore-hounds. Anthony D'Alessandro explains:Sony’s PG-13 Facebook origin myth The Social Network effortlessly clicked its way to the top box office spot with $23 million – a number which was in line with studio estimates, but fell short of crashing any ticket booth’s computer with a fall record.  Two R-rated thrillers, Overture’s vampire remake Let Me In and Para...

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    Oscar Talk: Diane Lane, John Malkovich, Annette Bening, Winter's Bone and Leader The Social Network

    This week Kris Tapley and I range over Disney's Secretariat and Tangled; the vampire remake Let Me In; Oscar chances for SPC's Mother and Child, starring Annette Bening, and Animal Kingdom, starring Jacki Weaver, the first Oscar screeners to go out; and the long road ahead for early frontrunner The ...

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    The Films Of David Fincher: A Retrospective

    In general, when we pen a retrospective on a director's oeuvre , we try and save them for when a filmmaker is deep into his career and has a least 15-plus films under his belt. But we're making an exception here for David Fincher, who is obviously considered to be one of the most estimable modern au...

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    Social Network Update: Charlie Rose, Wired

    It's fascinating to see the dynamic between The Social Network visualist David Fincher (not a wordsmith) and scribe Aaron Sorkin on Charlie Rose. Fincher seems deferential, and Sorkin dominates the space. Not the usual director/writer interaction.

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    Oscar Talk: Frontrunners King's Speech vs. The Social Network, Why The Fighter Isn't A Shoo-In

    It's only September, which means that Kris Tapley and I are declaring The King's Speech and The Social Network frontrunners---for now. Which films could possibly supplant them? Toy Story 3 is an animated sequel. I argue that The Fighter is directed by the one and only David O. Russell, while Kris po...

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    Sorkin Talks The Social Network at Harvard Q & A

    Sony is marketing the hell out of The Social Network which opens the New York Film Festival Friday night (with Harvard Club after party) and opens wide on October 1. (The NYT offers a rave; author Ben Mezrich talks to LAT, Zuckerberg talks to the NYorker.) They're also hitting the college demo hard,...

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