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Eskil Vogt

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    Berlin Review: The Imagination Is The Sense Most Sharpened In Witty, Weird, Beautiful Sundance Winner ‘Blind’

    There is something about the idea of using cinema, a visual medium, to explore the tragedy and terror of sudden blindness that makes Norwegian Eskil Vogt’s directorial debut “Blind” an intriguing prospect even on paper (Vogt previously collaborated as a writer with Joachim Trier). But it’s where he,...

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