Plenty of films exist about struggling young artists trying to be great and failing in the process. But Joel and Ethan Coen’s "Inside Llewyn Davis" is unique in focusing on a great struggling young artist resigned to the idea of his own impending failure.
Read More »"That's a folk song," says Llewyn Davis (Oscar Isaac) in the opening scene of Joel and Ethan Coen's aptly titled "Inside Llewyn Davis." One could usually make a similar pronouncement about the Coen brothers' usually eccentric works -- yep, that's a Coen movie, folks -- but this one's a different sto...
Read More »In just over a week, the Coens will present their latest "Inside Llewyn Davis" to the always fussy audiences at the Cannes Film Festival. While we'll have to wait until we actually see the thing, it's looking like another success from the sibling directors. CBS Films is already thinking Oscar, but i...
Read More »So, is the premiere at the Cannes Film Festival in just a couple of weeks the start of a long haul awards season run for the Coen Brothers' "Inside Llewyn Davis"? CBS Films is banking on it as they've now marked the calendar with release date for one of the most anticipated movies of the year.
Read More »Some people find it disturbing that in Coen brothers films, the characters don't often have clear realistic referents and appear at first glance to be stereotypes, playthings created only to be sadistically ground up in the gears of a machine. I've never understood this objection.
Read More »Quite simply, The Big Lebowski does not belong among the canon of the Coens’ best films, no matter how much its fans and urban achievers protest.
Read More »Do the Coens believe in God? Can we even say that for sure? Do they believe in the non-rational, the supernatural? Or are they just pranksters pulling our chains and hoping to spark conversation pieces like this one, while they sit there snickering?
Read More »"The Hudsucker Proxy" is one of the Coens’ most outwardly frivolous movies, part of a group of ill-received farces that includes "Intolerable Cruelty," "The Ladykillers" and "Burn After Reading." But it’s often in their farces that the brothers grapple with some of their darkest themes.
Read More »The Coen brothers' relationship to source music is as integral to their vision as recurring themes and subject matter. Like a signature shot or the way certain characters speak, a director’s song selection can reverberate throughout an oeuvre.
Read More »When Fargo was released, I felt that my home state of Minnesota had finally been given its "Oresteia," its "Njal's Saga," its "Double Indemnity." Over the ensuing years, however, the popular image created by the Coen Brothers' regional epic has been a questionable inheritance.
Read More »