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James Gray

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    James Gray Heads To TV To Direct First Episode Of Sundance Channel's 'The Red Road' Starring Jason Momoa

    It's a bit of a weird day of unlikely circles overlapping. David Fincher and Tyler Perry might collide for "Gone Girl," and now James Gray and Jason Momoa will be working together. Yes, really. The "Two Lovers" and "The Immigrant" filmmaker is the latest director to head to the world of television a...

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    In the Works: James Gray to Direct First Episode of New Sundance Channel Original Series 'The Red Road'

    The Sundance Channel has announced that director James Gray ("The Immigrant," "Two Lovers") will helm the first episode of the network's next original scripted series, police drama "The Red Road." Jason Mamoa ("Game of Thrones") was recently cast in one of the two lead roles.

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    James Gray On 'The Immigrant,' 'The Gray Man,' 'The Lost City Of Z' And More

    Last week, we ran an excerpt from our Cannes Film Festival interview with director James Gray in which he spoke at length about his upcoming sci-fi project. But of course the reason he was there, and the reason we were talking at all, was to present his new film, “The Immigrant,” which premiered in ...

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    James Gray Feels "Embarrassed" For Critics For Complaining 'The Immigrant' Is Too Slow

    "The boos are the cost of being lucky. But they're still hard to hear," director James Gray recently told the LA Times about the reception he received in Cannes for 2008's "Two Lovers." But the filmmaker returned to the south of France last week to premiere his latest, "The Immigrant," where he's ki...

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    James Gray to Critics of 'The Immigrant''s Pace: "They Can Go F*** Themselves"

    "Movies are not barium enemas, you’re not supposed to get them over with as quickly as possible."

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    'The Immigrant' Director James Gray Tells His Cannes Critics To 'Go F*** Themselves' and Explains His Deeply Personal Connection to the Film

    Labeled "the most divisive film in Cannes competition" by Indiewire's Eric Kohn, James Gray's Marion Cotillard-starring period drama "The Immigrant" was among one of the most anticipated and ultimately debated films to play at the recently wrapped festival. Beloved by many for what Kohn described as...

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    James Gray Reveals Details About His Developing Sci-Fi Thriller & The "Conceptual Brilliance" Of '2001'

    Following the premiere of “The Immigrant” in competition late last week (our review is here), we got to talk to director James Gray in Cannes. We’ll have more of his thoughts on the shaping of that film, on working with Marion Cotillard for the first time, and a few minor updates on some other upcom...

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    Cannes: Oscar-Worthy Cotillard and Director Gray Talk Divisive 'The Immigrant'

    Characteristic of a number of Cannes competition titles, "The Immigrant" has divided audiences though its morning screening Friday did not receive the audible Boos that greeted the credit roll of "Only God Forgives" the day prior. An unscientific poll of random inquiries by badge holders here who ha...

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    CANNES 2013: James Gray's THE IMMIGRANT

    Few films have captured the level of complex pragmatism it must take for a desperate person to survive in a completely new place with no support or ideological context. James Gray’s arresting period-piece melodrama "The Immigrant" achieves this feat.

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  • Thompson on Hollywood
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    Cannes Review and Roundup: James Gray's 'The Immigrant' vs. 'Nebraska'

    A pair of films addressing very different aspects of the American experience, and set 92 years apart, have screened in Competition over the last couple of days: Alexander Payne’s "Nebraska" and James Gray’s "The Immigrant." Sad to say, I had expectations for both but didn’t engage with either, altho...

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