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Jean-Luc Godard

  • Thompson on Hollywood
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    Cronenberg, Iñárritu, Godard and More Stun Mexico's 2014 Morelia Film Fest

    Highlights from the 12th annual Morelia International Film Festival, currently unspooling in Mexico through October 26.

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  • Indiewire
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    Watch: Jean-Luc Godard Makes Landscape His Muse in 'Goodbye to Language' Trailer

    Fight the urge to close read and just allow yourself to plunge, headfirst, into Godard's cinematic mileu.

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  • The Playlist
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  • Criticwire
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    Daily Reads: David Fincher's Misdirections, Is Ultra-Real 3-D the Future? and More

    Plus: How Steven Soderbergh breathes new life into old stories, and how work works for the Dardenne Brothers.

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  • The Playlist
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  • Indiewire
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    Watch: 'Gone Girl,' 'Inherent Vice' and More Teased in New York Film Festival Trailer

    The New York Film Festival is back for its 52nd year, and it will feature everything from World Premieres, to Oscar favorites, to old Hollywood classics.

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  • Thompson on Hollywood
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    15 Must-See Modern Noirs (CLIPS)

    The noir since 1960 is like pornography: it's hard to describe, but you know it when you see it. With "Sin City: A Dame to Kill For" in theaters, it may be time to tackle the question more directly. To paraphrase Paul Schrader, what is a (modern) film noir?

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  • The Playlist
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    Watch: Trailers For Martin Scorsese’s List Of The 39 Foreign Films You Should See Before You Die

    You may have heard this one before: several years ago a young filmmaker (Colin Levy) wrote to Martin Scorsese asking which films he should see in order to broaden his cinematic horizons. Much to his surprise the director answered him and provided a list, through his assistant, of 39 essential foreig...

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  • Criticwire
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    Is It Time to Let Go of the French New Wave?

    As the Nouvelle Vague tag has grown to encompass filmmakers who weren't originally part of it, does it stop us from seeing their new films on their own terms?

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  • Criticwire
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    Criticwire Classic of the Week: Jean-Luc Godard's 'Breathless'

    In praise of a Godard who was as playful as he was revolutionary.

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