For buyers at the festival, the question is less about the quality of various movies and more about their marketability.
Read More »Yes, believe it or not, even the prestigious, sniffy Cannes Film Festival has a midnight movie section. Granted, it's still relatively new, and only features a couple movies per year, but they perhaps realize that after getting stuffed with Important Movies all day, sometimes you just want to sit ba...
Read More »Among the 30-plus features I saw in Rotterdam, Johnnie To’s "Drug War" is the one that has the concrete feel of a masterpiece. The reviews I’ve seen out of this festival as well as from its world premiere last fall in Rome suggest a solid, unexceptional potboiler by a reliable genre craftsman. To ha...
Read More »Johnnie To is a prime example of a director whose name means one thing to overseas audiences, and quite another to those in his native Hong Kong. While his home fans know him as a prolific genre-hopping polyglot whose production company Milkyway Image is a force to be reckoned with on the national f...
Read More »A solid, visceral action flick from Hong Kong maestro Johnnie To, "Du Zhan" ("Drug War") delivers on audience expectations. Confidently following a familiar route, the Chinese director brings his brand of muscular gangster movies to a new potential market. In fact, "Drug War...
Read More »Thanks to director/writer/producer Johnnie To, the commercial cinema of Hong Kong has entered a golden age. Since forming Milkyway Image Ltd. in 1996, To has helped produce over fifty films, and has directed or co-directed over half of them himself. While other Hong Kong filmmakers were being e...
Read More »The Museum of Moving Image has announced the schedule for its upcoming First Look international showcase.
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