Here's our weekend recap. Two new pieces of film art were revealed this weekend. Just when you thought it was winding down, the "Zero Dark Thirty" controversy continues. Before she became a Golden Globe winner, "Girls" creator/star Lena Dunham sat down for a probing interview by Charlie Rose. Comed...
Read More »Ten minutes of AFM footage was enough for the Weinstein Company to scoop up English-speaking rights (including U.S., Canada, Australia, New Zealand and South Africa) to South Korean Bong Joon-ho's dystopian "Snowpiercer," an action thriller starring Chris Evans.
Read More »Versatile Danish thesp Mads Mikkelsen is set to team with "Man On A Ledge" helmer Asger Leth for road film "Move On." Developed by Matt Greenhalgh (screenwriter of "Control" and "Nowhere Boy"), the story begins with a flawed hero, stepping off a boat in R...
Read More »At the grand old age of 72, nearly fifty years after his first screen appearance, John Hurt is seemingly busier than ever. The actor has no fewer than eleven credits from 2011, ranging from his snarling supporting turn in "Tinker, Tailor, Soldier, Spy" and high-class work in "Melancho...
Read More »Somewhat underrated at the time, it's sad that it took the death of Sidney Lumet last year to cause his final film, "Before The Devil Knows You're Dead," to be re-appreciated. A seedy little Greek tragedy of a crime movie, with impeccable performances across the board, and shot lik...
Read More »You may not know who filmmaker Bong Joon-ho is, but clearly, the world of discerning A-list actors do. And perhaps that milieu have rather discerning taste as well. The South Korean auteur, known for thrilling international works like "The Host" and the police procedural "Me...
Read More »It's nearly been two years since the release of his murder-mystery "Mother" and news of his planned adaptation of French post-apocalyptic graphic novel "Le Transperceneige" but we now finally have a solid update about South Korean auteur Bong Joon-ho's next project.
Read More »This is superior storytelling, with a definite point of view; there’s clearly a masterful hand at work behind the camera. And nobody portrays dread, or a sense of unease, quite like Polanski.
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