The field of anthropology goes under the magnifying glass in this fiery investigation of the seminal research on Yanomami Indians. In the 1960s and ’70s, a steady stream of anthropologists filed into the Amazon Basin to observe this “virgin” society untouched by modern life. Thirty years later, the events surrounding this infiltration have become a scandalous tale of academic ethics and infighting.
More than a decade after waging urban war on the favelas of Rio de Janeiro, Captain Nascimento remains the controversial head of BOPE, the special-forces military police. Government officials hope to weaken the rash, but publically adored, officer by taking him off the streets and giving him a desk job in the State Department. Never one to fall in line, a maturing Nascimento must adapt his old tactics to a new position and a new enemy.
In this viscerally charged ride, José Padilha adeptly avoids the typical pitfalls of sequels by examining new themes of politics and corruption. [Synopsis courtesy of Sundance Film Festival]
In RoboCop, the year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years, but have been forbidden for law enforcement in America. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy (Joel Kinnaman) – a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit – is critically injured, OmniCorp sees their chance to build a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine.