I'm plotting my Oscar-week course of action. I must decide which parties and panels and events to cover, and which stories to write when and how. Last year at the Oscar red carpet bleachers I live-blogged in evening garb from my place on a bench with the likes of A.P., Reuters, LAT, and the London D...
Read More »As I predicted, the Academy of Motion Picture Arts & Sciences is penalizing The Hurt Locker producer Nicolas Chartier for violating Academy campaign standards by sending an email to his friends that promoted The Hurt Locker and dissed Avatar. Later at the Academy's behest Chartier sent an apologetic...
Read More »After a final week of prize-giving, the season's pre-Oscar awards rituals came to a close Sunday night. There's nothing left but the big show itself March 7. Oscar ballots are due on March 2. Voters who did not mail them in Saturday can deliver them via overnight mail or directly to Price Waterhouse...
Read More »On Oscar Talk 23, Kris Tapley and I chew over the last phase of this year's Oscar campaigns and issues surrounding the email misstep by rookie The Hurt Locker producer Nicholas Chartier and any impact it could have on the race. We both have problems with the preferential ballot process, as Academy ...
Read More »Kris Tapley and I dig into the meat of the matter this week as the Oscar season goes into overdrive. Are voters trying to rig the top ten? What has a better shot of winning, The Hurt Locker, Avatar or Inglourious Basterds, which Harvey Weinstein has been relentlessly flogging? Are Oscar producers Ad...
Read More »I pulled into the Beverly Hilton for the annual Academy Nominees lunch alongside Quentin Tarantino (pictured with Academy president Tom Sherak). At the press table, an Academy staffer asked me turn the handle to spit out a ball telling me where I'd be sitting.
Read More »One thing I love about this year's Oscar race is the way lower-budget movies like The Hurt Locker hold their own against the big-budget behemoths. At the crystal-themed Art Director's Guild awards on Saturday night at the Beverly Hilton, The Hurt Locker director Kathryn Bigelow, taller than ever in ...
Read More »This week Kris Tapley and I cover Oscar activity at the Santa Barbara Film Festival and in town, and keep debating the best actress, actor, picture and director race. Does Up in the Air or Inglourious Basterds have a fighting chance?
Read More »Nothing is certain until it's over. And that's especially true for the Oscar race.
Read More »Sometimes I find myself covering so many things that I don't write about them right away. A case in point: my weekend trip to Santa Barbara. I'm still writing up the Sandra Bullock tribute and haven't transcribed my writers panel, which went well even without Quentin Tarantino, who did turn up the f...
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