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Kathryn Bigelow

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    Oscar Talk Episode 23: Last Phase Tricky Campaign and Voting Issues

    On Oscar Talk 23, Kris Tapley and I chew over the last phase of this year's Oscar campaigns and issues surrounding the email misstep by rookie The Hurt Locker producer Nicholas Chartier and any impact it could have on the race. We both have problems with the preferential ballot process, as Academy ...

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    Oscar Talk 22: Dueling Oscar Producers, Weinstein's Inglourious Basterds Push, Bullock Talks

    Kris Tapley and I dig into the meat of the matter this week as the Oscar season goes into overdrive. Are voters trying to rig the top ten? What has a better shot of winning, The Hurt Locker, Avatar or Inglourious Basterds, which Harvey Weinstein has been relentlessly flogging? Are Oscar producers Ad...

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    Things I Learned at the Oscar Nominee Mixer

    I pulled into the Beverly Hilton for the annual Academy Nominees lunch alongside Quentin Tarantino (pictured with Academy president Tom Sherak). At the press table, an Academy staffer asked me turn the handle to spit out a ball telling me where I'd be sitting.

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    Art Directors Go with Avatar, Hurt Locker, Sherlock Holmes, Beatty

    One thing I love about this year's Oscar race is the way lower-budget movies like The Hurt Locker hold their own against the big-budget behemoths. At the crystal-themed Art Director's Guild awards on Saturday night at the Beverly Hilton, The Hurt Locker director Kathryn Bigelow, taller than ever in ...

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    Oscar Talk Episode 21: On the Campaign Trail

    This week Kris Tapley and I cover Oscar activity at the Santa Barbara Film Festival and in town, and keep debating the best actress, actor, picture and director race. Does Up in the Air or Inglourious Basterds have a fighting chance?

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    Santa Barbara Film Fest Panels, Up in the Air Wins Scripter Award

    Sometimes I find myself covering so many things that I don't write about them right away. A case in point: my weekend trip to Santa Barbara. I'm still writing up the Sandra Bullock tribute and haven't transcribed my writers panel, which went well even without Quentin Tarantino, who did turn up the f...

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    Oscar Watch: Academy Rules on Best Picture Producers

    The Academy has ruled on the remaining two best picture nominees' producer credits. They like to limit them to three (hence the Crash imbroglio that eliminated angry financeer Bob Yari). But in this case, The Blind Side has three, The Hurt Locker, four.

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    Santa Barbara Film Fest: Opener, Bullock, Cameron, Panels

    I'm in Santa Barbara for its 25th film fest: 196 films, 18 world premieres, 28 U.S. premieres and a program from 45 countries. The festival runs through Sunday, Feb. 14. Per usual, I'm ensconced in a twee bungalow at the Simpson House--sweet muffins on arrival, Laura Ashley decor, fringed pillows an...

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    Vanity Fair's Leibovitz Shoots Directors and Stars

    At their best, the photos in Annie Leibovitz's 2010 Hollywood photo gallery capture feelings between the movie directors and their stars. This one of Quentin Tarantino and straight man Christoph Waltz--who will get an Oscar, even if his boss does not---is my favorite.

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