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Martin Scorsese

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    Martin Scorsese Talks The Endless Possibilities Of 3D With Paul Thomas Anderson At 'Hugo' Q&A

    As much a film scholar as a filmmaker, there are few directors better-equipped to discuss the convergence of art and technology than Martin Scorsese. But during a recent Q&A about his latest film, the 3D opus “Hugo,” Scorsese offered a few observations about the past, present and fut...

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    Martin Scorsese Talks 3-D Cinephile Fantasy Hugo and Holograms with Paul Thomas Anderson

    At a special Paramount preview screening of Martin Scorsese’s first 3-D film Hugo yesterday, a capacity crowd avidly responded to the film’s immersive effects and masterly visual style, writes Justin Lowe, who covered a Q & A with the director and his crew and surprise moderator Paul...

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    Leonardo DiCaprio Says 'Sinatra' Is In Scorsese's Hands, But He's Still Up For The Challenge

    Leonardo DiCaprio Says 'Sinatra' Is In Scorsese's Hands, But He's Still Up For The Challenge

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    Oscar Talk: Spielberg's War Horse, My Week with Marilyn's Michelle Williams, Scorsese's Hugo

    In this week's Oscar Talk Kris Tapley and I debate Simon Curtis's My Week with Marilyn, which I saw at the New York Film Festival and the Weinsteins have moved to Thanksgiving. "You see a lot working behind those eyes," says Tapley. We agree Williams will make the top five for best actress.

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    Harper's Bazaar Celebrates Iconic Scorsese Movie Scenes, New Casts: Taxi Driver, Goodfellas, Gangs

    Harper's Bazaar celebrates Martin Scorsese by recasting and photographing some of his most memorable scenes, and talking with his collaborators. Here's a taste.

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    NYFF Early Reviews for 3-D Hugo: Cinephiles Are Delighted by Scorsese's Love Letter to Film

    The reason that Paramount screened Martin Scorsese’s work-in-progress 3-D Hugo as the New York Film Festival's Monday night’s mystery screening, without completed effects or a final score (by Howard Shore) is that it’s a cinephile’s dream. The NYFF audience couldn’t have been a more receptive crowd....

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    My Week in New York: Hugo, War Horse, Turin Horse, Parties, Marilyn, Book of Mormon

    Monday night's mystery screening of Martin Scorsese's work-in-progress 3-D Hugo (featurette below) marks my last screening at this year's New York Film Festival. The reason that the movie was shown without completed effects or a final score (by Howard Shore) is that it's a cinephile's dream, and the NYFF audience couldn't have been a more receptive crowd. While the movie should work with families over the Thanksgiving holiday, and producer Graham King (nervously pacing in the rear of the theater as ushers passed out 3-D glasses) assured me that they wouldn't have shown the film if the movie wasn't going to finish on time, Paramount wanted to ...

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    And the Nobel Prize for Film Goes To...

    Seeing that the Nobel Prize for Literature was awarded last week, to Swedish poet Tomas Tranströmer, Matt Brennan got to thinking: What if there were a Nobel Prize for Film? This week’s “Now and Then” column revels in some of the possibilities. Check out the trailers and post your own picks in the c...

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    George Harrison: Living in the Material World Reviews: Still Hidden, Enigmatic, Quiet

    Like many boomers, I am a Beatles fan. I can sing every song on Beatles Rock Band, and grew up loving each Beatle in his own way: Paul's narcissistic sweet tenor, John's growly, witty edge, Ringo's underappreciated backbeat and soulful George. He was the gifted musician, the lead guitarist: he made ...

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    MATT ZOLLER SEITZ: George Harrison Living In A Material World

    Martin Scorsese's new HBO documentary about George Harrison is as serious and sometimes mystifying as its subject By Matt Zoller Seitz Press Play Contributor

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