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Matteo Garrone

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    Welcome to the Cannes Film Festival!

    Editor's Note: Press Play has two critics covering the Cannes Film Festival this year. Simon Abrams and Glenn Heath Jr. are tag-teaming their way through the most anticipated collection of screenings in the film industry. This is your ticket to Cannes. Enjoy!

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    CANNES 2012: Matteo Garrone's REALITY

    The classic fairy tale is an artificial creation in Matteo Garrone’s "Reality," something wedding planners and television producers manipulate to create the best possible pomp and circumstance product for their Pavlovian audiences.

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  • The Playlist
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    Cannes Review: Matteo Garrone's Lightweight & Lifeless 'Reality' Is A Disappointment

    The relationship between audiences and reality television has shifted to some degree over the past decade (or longer). Where early shows were once positioned as voyeuristic/documentary style looks at Real People, it quickly became clear to those in front of the camera, behind it and at home watching...

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    CANNES REVIEW: Matteo Garrone's 'Reality' is a Horrific Spin on 'Big Brother' Obsessions

    "Reality" makes the case that society renders everyone impossibly small. The first and last shots of Matteo Garrone's drama take place from extreme heights that make their focal point blend with their surroundings. Everything in frame takes on the dimensions of a dollhouse, as if the I...

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  • The Playlist
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    First Look At Cannes Competition Entries Matteo Garrone's 'Reality' & Im Sang-soo's 'The Taste Of Money'

    Cinephiles have unwrapped the presents put under the Cannes Film Festival Christmas tree this morning, with organizers unveiling their impressive lineup for the 2012 festivities. And this is the gift that will keep on giving. Over the next four weeks in the lead up to the fest, an array of stills an...

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    'Gomorrah' Director Matteo Garrone Starts Lensing Next Film 'Big House'

    Italian director Matteo Garrone made a big wave in 2008 with his crackling, layered gangster epic "Gomorrah," which earned the support of Martin Scorsese and wound up with a Criterion Collection edition as well. Not too shabby at all. Well, for his next film, he's turned his eye from crime to the me...

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