‘Daddy’s Home 2’ Review: Mel Gibson Proves to Be One Daddy Too Many in Queasy Holiday Comedy
A distracting comedy sequel that’s almost worth sitting through for the incredible cameo in the final scene. Almost.
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The 20 Best Movie Endings of the 21st Century
Shocking plot twists, grand gestures of love, and one enormous spider — these are the movie endings that stay with you forever.
Bawdy Nun Comedy ‘The Little Hours’ Soars at Specialty Box Office
The indie box office is on a roll as ‘The Beguiled’ and ‘The Big Sick’ continue to thrive.
Sofia Coppola’s ‘The Beguiled’ Wows Cannes While Nicole Kidman Calls Out Lack of Female Directors
In a field of Cannes entries from male directors focused on male characters, Sofia Coppola’s “The Beguiled” turns the 1971 original on its head with a female perspective.
Cannes: Before ‘The Beguiled,’ Sofia Coppola’s ‘Marie Antoinette’ Showed Her Genius for Crafting Characters Through Environments
“Marie Antoinette” was booed at Cannes, but it vividly illustrates how location is Coppola’s most evocative means of exploring dislocation.
What Movies Are Critics Most Excited to See at Cannes 2017? — Critics Survey
From the inevitable return of Michael Haneke to the shocking inclusion of TV, the 70th Cannes Film Festival has something for everyone.
Colin Farrell: Why ‘The Lobster’ Star Banks on Yorgos Lanthimos and ‘The Killing of a Sacred Deer’
How the actor chooses his roles: he’s nominated for a Golden Globe for comedy “The Lobster.”
