‘Daddy’s Home 2’ Review: Mel Gibson Proves to Be One Daddy Too Many in Queasy Holiday Comedy
A distracting comedy sequel that’s almost worth sitting through for the incredible cameo in the final scene. Almost.
A distracting comedy sequel that’s almost worth sitting through for the incredible cameo in the final scene. Almost.
Shocking plot twists, grand gestures of love, and one enormous spider — these are the movie endings that stay with you forever.
The indie box office is on a roll as ‘The Beguiled’ and ‘The Big Sick’ continue to thrive.
In a field of Cannes entries from male directors focused on male characters, Sofia Coppola’s “The Beguiled” turns the 1971 original on its head with a female perspective.
“Marie Antoinette” was booed at Cannes, but it vividly illustrates how location is Coppola’s most evocative means of exploring dislocation.
From the inevitable return of Michael Haneke to the shocking inclusion of TV, the 70th Cannes Film Festival has something for everyone.
How the actor chooses his roles: he’s nominated for a Golden Globe for comedy “The Lobster.”