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    TIFF Between a Rock and Hard Place: Boyle and Franco Talk 127 Hours

    I interviewed 127 Hours producer Christian Colson and writer Simon Beaufoy, the same team who worked with Danny Boyle on Slumdog Millionaire, just before my flipcam chat with Boyle and James Franco (below).

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    Aronofsky Talks the "Nightmare" of Getting 'Black Swan' Made

    Darren Aronofsky's Black Swan opened the Venice Film Festival and took the Lido by storm. I talked with the director about the long "nightmare" of getting the script right and financing the film, casting Natalie Portman and Vincent Cassel, shooting in a gritty up-close verite style, and how he set a...

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    Waiting for Malick: Which Film Fest Will Debut Tree of Life?

    After not showing at Cannes or Venice, Terrence Malick's The Tree of Life did screen at Telluride: but only six people saw the cut-down movie (two hours, 15 minutes) at two separate screenings for Sony Pictures Classics and Fox Searchlight, which landed the picture. The Tree of Life is inspiring rav...

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    TIFF: Tony Goldwyn Talks Conviction, Betty Anne Waters, Hilary Swank, Sam Rockwell

    At this year's Toronto Film Fest, indieWIRE interviewed filmmakers and stars at Live at the Lounge every day. In my talk with Conviction director Tony Goldwyn (video below), he admitted, as David Schwimmer had several days earlier with rape drama Trust, that serious dramas are the hardest films to f...

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    Telluride: 127 Hours So Intense, Medics Attend to Overcome Moviegoers at Two Screenings

    TOH Telluride correspondent Meredith Brody reports seeing on Saturday night "somebody being taken out on a gurney from the Galaxy" showing of 127 Hours and later that night at a second screening of the Danny Boyle film, "ambulances with multicolored flashing lights pulling into the Palm."

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    Fest Review Round-Up: Never Let Me Go, Tabloid, Somewhere

    While the Venice Fest is on its fourth day, Telluride got under way Friday night with screenings of Mark Romanek's Never Let Me Go, Errol Morris's latest doc Tabloid and Peter Weir's prisoner-of-war drama The Way Back, which fewer people instantly reviewed. @EugeneNovikov tweeted: "THE WAY BACK (B) ...

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    Venice Opens with Aronofsky's Black Swan: Too Intense?

    The opening night selection of the sexy R-rated violent thriller Black Swan was something of a gamble for Fox Searchlight and the Venice Fest, which landed loyal fan Darren Aronofsky--after rousing Venice receptions for both The Fountain and The Wrestler, which won the Golden Lion. He talked Searchl...

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    Venice Day One: Black Swan Early Reviews, Machete

    As a Venice newbie, I got off the speed train from Rome, exited the station to a canal and grabbed a 40-minute ferry to the island the Lido. It's an adjustment. Basically a subway is a ferry here, a taxi is a motor boat or gondola, and houses have water in their basements with a garage for their boa...

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    Trailer Watch: Boyle's 127 Hours Stars Franco as Ralston

    Danny Boyle's 127 Hours is going to Telluride, Toronto and London, where the media will check out what is a daring subject for a movie. Hiker Aron Ralston survived being trapped on a Utah canyoneering trip for five days in 2003 by a boulder on a solo hike miles from any possible rescue by doing what...

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    TIFF Adds 44, Last Night Closes Fest, Eastwood Debuts Hereafter, Let Me In Opens Fantastic Fest

    The fall fest shuffle continues as first Venice, then Telluride, Toronto, New York and finally London all lay in their programming. There's plenty of overlap among the new titles (as opposed to recycled Cannes fare, much of it from Sony Pictures Classics and IFC), but basically Venice gets to unveil...

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