Standup comedian and former Air America host Marc Maron has established himself as one of the premiere comedy podcasters and defining voices in the emerging genre with his WTF With Marc Maron, which features funny, intimate and in-depth interviews with everyone from Louis C.K. to Janeane Garofa...
Read More »In an election year, the 2012 Rendez-vous with French Cinema is largely about politics past and present. “Farewell my Queen” offers a “downstairs” view of the French Revolution through the eyes of a servant at Versailles, while “Free Men” reveals how the Muslim community in Paris worked with the Res...
Read More »The Film Society of Lincoln Center and Unifrance Films have announced the full lineup for the 17th edition of Rendez-Vous with French Cinema (March 1-11), their joint annual showcase of contemporary French cinema that plays at the Film Society, the IFC Center and BAMcinematek.
Read More »With many of the biggest buyers heading home with depleted wallets, smaller deals are playing out. IFC Films is in final talks to acquire "Simon Killer," a psychological drama; this is IFC's second acquisition after writer-director-actor Josh Radnor's "Liberal Arts."
Read More »What does "Our Idiot Brother" have in common with "The Kids Are All Right," "Precious," "Sunshine Cleaning," "Once," "Little Miss Sunshine" and "March of the Penguins”? Like those other titles (distributed between 2005-2011), it ...
Read More »Two indie films with strong casts are available right now on VOD before they hit movie theaters on November 11. Magnolia is releasing controversy-magnet Lars von Trier's Melancholia, starring Cannes best actress winner Kirsten Dunst, on OnDemand, iTunes, Amazon, Vudu, Playstation and Zune.
Read More »One reason that Werner Herzog's docs are so compelling and entertaining is that his powerful personality is all over them, commenting, narrating, querying. Herzog's docs, as lauded as they are, are often overlooked by the Oscar documentary branch, which nominated while Encounters at th...
Read More »The trick with the fall film festivals is to gauge expectations going in vs. what was actually achieved. Various distributors launched their fall slates, and watched with pleasure or horror at how their movies were received by audiences and critics. Oscar contenders either moved forward in the award...
Read More »At last year's Cannes, I was completely engaged by rookie David Robert Mitchell’s micro-budget indie The Myth of the American Sleepover (Critics’ Week), which is a deceptively simple reworking of the American Graffiti trope: a bunch of high school kids at summer’s end seek connection.
Read More »Rhett & Link: Commercial Kings, a new television show premiering tonight on IFC, plots two best friends as they journey across the United States to understand the country--via advertising.
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