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Sony Pictures Classics

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    Sony Pictures Classics' Secrets: 'Mr. Turner' Opens Competition, First of Five Cannes Entries (TRAILERS)

    Sony Pictures Classics is always one of the big North American buyers at Cannes. This year they're taking five movies to the Riviera festival--and plan to buy a few more. We find out some of their secrets for survival.

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    Sony Pictures Classics Acquires 'Saint Laurent' Biopic at Cannes

    In one of the first big deals at this year's Cannes Film Festival, Sony Pictures Classics has acquired "Saint Laurent,” the biopic of French famed designer Yves Saint Laurent which is set to premiere in competition at Cannes.

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    Film Industry Mourns Malik Bendjelloul, 'Searching for Sugar Man' Director

    The film industry mourns the death of Malik Benjelloul, the filmmaker behind the Academy Award-winning documentary "Searching for Sugar Man."

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    'Foxcatcher' Gets Award Season November Release

    Sony Pictures Classics will release Bennett Miller's "Foxcatcher" on November 14, a full year after it was scheduled to open at the AFI Film Festival 2013. Michael Barker and Tom Bernard pulled the film from that festival; it's now heading to screen in competition at Cannes. It's a big deal to be an...

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    Sony Pictures Classics Acquires Soviet Hockey Doc 'Red Army' Ahead of Cannes Premiere (TRAILER)

    Sony Pictures Classics has acquired all North American, Eastern European and Asian rights to director Gabe Polsky's new documentary "Red Army" ahead of its premiere in the Cannes Film Festival Special Screening section.

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    Sony Catches Sight of a Release Date for 'Land Ho!'

    Sony Pictures Classics has given a day-and-date to Sundance acquisition "Land Ho!," Aaron Katz and Martha Stephens' buzzy Icelandic road trip comedy out of the Park City fest.

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    Sony Pictures Classics Acquires The Who Doc 'Lambert & Stamp'

    Sony Pictures Classics has acquired The Who founding story "Lambert & Stamp," which debuted well at Sundance 2014. SPC will handle the release of cinematographer-turned-director James D. Cooper’s debut documentary in multiple territories.

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    The Berlinale and EFM from my POV

    You hear it all the time: Quality a bit soft. Not a lot of Big Titles. Not a lot of big news. But Americans were buying all the same, and to quote Screen International: “The current market is focused on smart money and smart deals, not volume of product”.

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