Aside from a series of increasingly creepy stills not much is known about Pedro Almodóvar‘s “The Skin I Live In” except that it's based on a pretty intense book by crime novelist Thierry Jonque‘s 2005 book, “Tarantula.” The film has a competition slot at the upcoming Cannes Film Festival and with bu...
Read More »It looks like Roman Polanski's sure-to-be Oscar bait "Carnage" has now found a home with Sony Pictures Classics.
Read More »Whit Stillman's first film in a staggering thirteen years has found a familiar home. Sony Pictures Classics has announced that it has picked up the worldwide rights to the filmmaker's next release,"Violet Wister’s Damsels In Distress" (formerly known simply as "Damsels In Distress").
Read More »Demographics matter. You want to say, well, screw the numbers, let’s just make a movie for everyone! But considering the multiple sources of entertainment in our multimedia worlds, whatever doesn’t automatically turn us on will turn us off. Because of this, Zack Snyder’s “Sucker Punch” turned people off. It was an action fantasia, a genre normally attractive to teenage boys, but it featured only girls, an immediate turnoff for that demographic. And it didn’t appeal to women, who noticed the marketing campaign centered around cacophonous violence and mayhem, not usually a drawing point for females. It wasn’t made for kids, but the heavily-CGI’...
Read More »Woody Allen, Pedro Almodovar, Wong Kar-Wai, Mike Leigh, Charlie Kaufman and....A Tribe Called Quest? Yep, it might seem like a strange fit but Sony Pictures Classics, usually home to decidedly arthouse fare, has picked up actor Michael Rapaport's directorial debut, "Beats, Rhymes & Life: The Travels...
Read More »After making a strong debut with his riveting and powerful debut film "Shotgun Stories," director Jeff Nichols is looking to break out in a huge way with his sophomore effort.
Read More »Another year, another Woody Allen film. And say what you will about his more recent output, for this writer at least, the yearly Woody Allen movie is a comfort, like an old friend returning for a visit and a pleasant entry on our film calendar.
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