Jodie Foster took Austin's Paramount stage for the Wednesday night premiere of The Beaver, a dark, moving family drama centered on Mel Gibson, who is well-cast as a tortured man in crisis. (See indieWIRE's review; here's Hollywood Wiretap's round-up).
Read More »Jake Gyllenhaal was attached to sci-fi script Source Code when he saw Duncan Jones' $5 million space drama Moon, starring Sam Rockwell in a multi-layered performance. He thought Jones was perfectly suited to direct Source Code, which played well as the SXSW Film Fest opener Friday night. Summit will...
Read More »People keep telling me to see Ti West's horror flick The Innkeepers. So I'll check it out Saturday night. That's what film festivals do. They start buzz on a movie that few have seen or know anything about, and suddenly a career is born--or not.
Read More »No, James Cameron has not picked up the rights to the December 25 New York Times article Deepwater Horizon's Final Hour, although he might turn up as a character in the final movie that Summit Entertainment and Participant Media are developing about the BP Oil disaster (with backing from Imagenatio...
Read More »Smart move. Summit Entertainment has decided to world premiere Jodie Foster's controversial Mel Gibson drama The Beaver at SXSW (March 11-19), which decided to let the film speak for itself. Said festival director Janet Pierson: "It's an actress/filmmaker carefully and beautifully tackling a heartbr...
Read More »While The Golden Globes nominations have an impact on momentum going into the Oscar race, they are not predictive. That's partly because the Hollywood Foreign Press Association (some 80 foreign correspondents) break their categories into Drama and Comedy or Musical. Thus it becomes easy to dismiss ...
Read More »The European Film Awards are not predictive of Oscars. But six wins for The Ghost Writer moves the film to the top of the screener pile. Maybe some folks will watch it now. One of my favorite films of last year, it shares with Shutter Island and The Town a formal elegance and control. These films ar...
Read More »Director Doug Liman fascinates me. He's hard to get a handle on. An indie filmmaker who broke through with Swingers and Go, after his smash hits The Bourne Identity and Mr. and Mrs. Smith, Liman became a Hollywood director for hire (see: Warners' upcoming All You Need is Kill and Universal's Moon pr...
Read More »Does a film's box office performance have an impact on its Oscar hopes? TOH box office analyst Anthony D'Alessandro crunches the numbers and evaluates the current field of Oscar contenders.
Read More »The beauty of success in the movie industry is that it often comes to people who zig when others zag, who have the balls to call something and fight for it. Recession times don't encourage risk-taking, so I am happy to report that producer Lorenzo di Bonaventura has not given up the maverick streak ...
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