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Festival Dispatch

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    TORONTO '06 DAILY DISPATCH: "Bella" Shines With Audience Prize; Fest Anticipates 40 U.S. Deals from

    While some industry insiders bemoaned the lack of deal-making midway through the 2006 Toronto International Film Festival, organizers at the festival are confident that when all is said and done the event will see a record number of acquisitions of new films by U.S. distributors. Toronto festival co...

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    TORONTO '06 DAILY DISPATCH: Waters and JCM Talk Sex; The Dixie Chicks Talk Back

    The 2006 Toronto International Film Festival wrap ups this weekend, with an awards presentation and final screenings. 27,747 minutes of movies will have screened by fest's end, in front of some 305,000 admissions. Among the highlights of the week was an on-stage conversation between filmmakers John ...

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    TORONTO '06: From Lennon to Cobain, Music Docs Rock Toronto

    This year's Toronto International Film Festival features several standout music documentaries covering vastly different themes - from Barbara Kopple and Cecilia Peck's "Dixie Chicks - Shut Up and Sing" to Jerome Laperrousaz's "Made in Jamaica." Among the most buzzed about music docs were AJ Schnack'...

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    TORONTO '06 CRITICS NOTEBOOK: Verhoeven and Jia Offer Fest Surprises, Sarah Polley Shines

    Wednesday is technically the three-quarter-mark at the Toronto International Film Festival, but it might as well be its final hours. As of Thursday, most industry folks and critics have already hopped on planes back home, while those that haven't wish that they had. And pronouncements about the fest...

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    TORONTO '06 DAILY DISPATCH: Hal Hartley Back With "Fay Grim"; Eytan Fox' Latest, "The Bubble"

    Two filmmakers, both born in New York, are in the spotlight as indieWIRE looks at a pair of films that have struck a chord with Toronto International Film Festival audiences as the event heads into the final stretch: Hal Hartley's "Fay Grim" and Eytan Fox's "The Bubble." While "Grim" is set for domestic release next year from Magnolia (and worldwide sales are being handled by HDNet Films International), "Bubble" is still awaiting a U.S. deal, while a number of territories are already sold. Dealmaking continued in Toronto on Wednesday, with Lionsgate nabbing the U.S. rights to Sarah Polley's feature filmmaking debut, "Away From Her" (the lates...

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    TORONTO '06 DAILY DISPATCH: Trying To Make Sense of the Toronto Marketplace As Magnolia Nabs "Exiled

    After scoring deals for two acclaimed genre titles in Cannes, U.S. based Magnolia Pictures struck again, acquiring Johnny To's "Exiled," fresh from its recent world premiere at the Venice Film Festival and its North American premiere here at the Toronto International Film Festival. The deal, for all English-language rights to the action thriller, is a three-way pact which includes UK rights for Optimum Releasing and rights in Australia and New Zealand for Madman Entertainment (Magnolia will sub-distribute the movie to their partners as part of the arrangement). The news came at the festival's midpoint, with some buyers and sellers assessing t...

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    TORONTO '06 CRITICS NOTEBOOK: Immigrant Stories and Haitian Violence

    On Monday, September 11, the whole world was memorializing the 5th anniversary of the terrorist attacks against the United States. But here in Toronto, specifically at the film festival, discussions centered on other topics: Is Tarsem's "The Fall" a masterpiece or a disaster? What's the deal with th...

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    TORONTO '06 DAILY DISPATCH: Fest Launch Pad Boosts Fall Films -- "Last King," "Shortbus," "Volver"

    Toronto International Film Festival observers wondering what the hot films are this year need look no further than the cover of local weekly NOW, which last week sported "Shortbus" co-star Sook-Yin Lee on the cover and this week's boasts "Volver" star Penelope Cruz. While buyers bemoan the lack of hot new festival titles -- only a few films seems to be stirring biz buzz so far at the fest -- a number of films are using the event as a lauching pad into North American distribution. Among the hottest of those are a few Cannes films, along with a couple of premieres stirring awards buzz. Kevin Macdonald's "The Last King of Scotland" has garnered ...

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    TORONTO '06 DAILY DISPATCH: Weinsteins Wild Over "Vaughn" & "Lane"; Audience Digs "The Lives of Othe

    After the first weekend of movie-going at the Toronto International Film Festival buyers and moviegoers alike were buzzing about fest films. While audiences raved about Florian Henckel von Donnersmarck's "The Lives of Others," which was nabbed by Sony Classics back in the Spring, The Weinstein Company nabbed the comedic doc, "Vince Vaughn's Wild West Comedy Show: 30 Days & 30 Nights - Hollywood To The Heartland" after its Friday screening here in Canada and its Dimension Films division quickly grabbbed "All The Boys Love Mandy Lane. Meanwhile, MGM nabbed North American rights to Werner Herzog's "Rescue Dawn," which also debuted here this week...

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    TORONTO '06 CRITICS NOTEBOOK: "Half Moon," "Venus," "Art of Crying" Focus on Death; "Escape" and "Fi

    With many of Hollywood's biggest offerings bombing here in Toronto (stay away from "A Good Year" and "All the King's Men"), critics have sought solace in half a dozen already proven Cannes favorites ("Volver," "Climates," "Babel") and a number of smaller, newer foreign discoveries and documentaries.

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