"This is a different generation. We’re not categorized by these old-school black-and-white tropes that are just not relevant in today's society. But yet and still we keep pulling from the same pool of material we were pulling from in 1989 or 1993."
Read More »"Many times, funders are looking for different approaches, new ways to think about documentaries. They’ve seen a lot of talking heads and long pans over black-and-white photos. So I think being a fresh voice, and a person with a narrative storytelling background was an advantage."
Read More »"Really, the way you get an agent, the way you get a job, the way you get anything is by expanding your network... Because this is an apprenticeship business."
Read More »"I know how I want things to turn out for the movies that I’m making, but I would never want to frame people’s expectations around what they’re going to see. But also, the idea that my first movie will have anything stylistically to do with my second or third, is an idea that I reject a little bit, ...
Read More »"We’re ‘80s babies. So we were coming of age in the ‘90s when Spike Lee was king of black cinema and Tyler Perry wasn’t even a thought. John Singleton was getting nominated for an Oscar. You had the Hughes Brothers taking on Hollywood, the Bythewoods were coming up,...
Read More »In the ongoing effort to introduce new and informative content here on S&A, it made sense to explore what can be called a new generation of talent within black film and TV. There are familiar names within this group – people like Dee Rees, Issa Rae, Barry Jenkins - whom we discuss often o...
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