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Interviews

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    INTERVIEW: From "Sunday" to "Signs," Jonathan Nossiter Takes on Kodak, Nike, and Chaos

    INTERVIEW: From "Sunday" to "Signs," Jonathan Nossiter Takes on Kodak, Nike, and Chaos

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    INTERVIEW: Wim Wenders Defends "Million Dollar Hotel"

    INTERVIEW: Wim Wenders Defends "Million Dollar Hotel"

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    INTERVIEW: The "Mood" of Wong Kar-wai; the Asian Master Does it Again

    INTERVIEW: The "Mood" of Wong Kar-wai; the Asian Master Does it Again

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    INTERVIEW: "The Legend" of Volker Schlondorff; "Rita" Director Goes Back to Basics

    INTERVIEW: "The Legend" of Volker Schlondorff; "Rita" Director Goes Back to Basics

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    INTERVIEW: Sam Raimi Opens "The Gift," Discovers Suspense Indiewood-Style

    INTERVIEW: Sam Raimi Opens "The Gift," Discovers Suspense Indiewood-Style

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    FUTURE 5: Richard Linklater, "Slacker" for the New Millennium

    FUTURE 5: Richard Linklater, "Slacker" for the New Millennium

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    FUTURE 4: Mika Salmi, AtomFilms

    FUTURE 4: Mika Salmi, AtomFilms

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    FUTURE 3: Haxan Films, a.k.a. Myrick, Sanchez, Hale, Monello & Cowie

    FUTURE 3: Haxan Films, a.k.a. Myrick, Sanchez, Hale, Monello & Cowie

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    FUTURE 2: The Brothers Lipsky, Lot 47 Films

    FUTURE 2: The Brothers Lipsky, Lot 47 Films

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    FUTURE 1: Jason Kliot and Joana Vicente, Open City Films/Blow Up Pictures

    "The cinema is an invention without a future," wrote early filmmaker Louis Lumiere in 1899. More than a century later, the quote -- and its eerie foresight -- reappears as the mantra for Blow Up Pictures, the digital production arm of Open City Films.

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