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Cannes Film Festival

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    Cannes: Robert Redford's Strangest Role of His Career Is In J.C. Chandor's 'All Is Lost'

    J.C. Chandor's flashy directorial debut "Margin Call" contained a complicated plot involving financial turmoil, an ensemble of name actors and numerous locations. His followup, "All Is Lost," takes place at the complete opposite end of the production scale: Robert Redford spends its entire duration ...

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    Cannes: Guillaume Canet's 'Blood Ties' Starring Marion Cotillard and Clive Owen Coming to Theaters Via Roadside Attractions

    Guillaume Canet's Cannes thriller (and English language debut following "Tell No One" and "Little White Lies") "Blood Thriller" has landed with Lionsgate. The studio will release it through its sister company Roadside Attractions.

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    Strand Buys Sexy Un Certain Regard Hit 'Stranger By the Lake'

    Strand Buys Sexy Un Certain Regard Hit 'Stranger By the Lake'

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    Keanu Reeves' Directorial Debut Goes to RADiUS Out of Cannes

    RADiUS - TWC is on a roll at Cannes, announcing today that the company has acquired North American rights to Keanu Reeves' directorial debut "Man of Tai Chai," days after nabbing the Directors' Fortnight thriller "Blue Ruin." Their Nicolas Winding Refn, Ryan Gosling-starring Palme d'Or contender "On...

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    Cannes Review: Killer Dance Moves and Crime In Simple, Formulaic 'Grigris'

    Chad-based director Mahamat-Saleh Haroun's last feature, the Cannes-winning "A Screaming Man," involved father-son tensions against the backdrop of civil war. By comparison, his followup "Grigris" is something of a letdown, though it works well enough on the scale of a basic character study. The mov...

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    Cannes Contender 'A Touch of Sin' Heads To Kino Lorber

    Kino Lorber has acquired all US rights to Jia Zhangke's "A Touch of Sin," currently in competition at the Cannes Film Festival.

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    Cannes: Suicide and Sexual Abuse Abound In Claire Denis' Frustratingly Muddled 'Bastards'

    Claire Denis' films are typically intimate dramas weighted with emotion, which makes it particularly dispiriting that "The Bastards," her eleventh feature, contains those ingredients without sufficiently pulling them together. A muddled revenge drama about family ties and traumatic experiences, the ...

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    Cannes Review: 'Behind the Candelabra' is Steven Soderbergh's Glamorous, Garish and Great Goodbye (For Now)

    "Behind the Candelabra," which premiered at Cannes today before heading to HBO on Sunday, May 26th at 9pm, is Steven Soderbergh's virtuoso swan song to filmmaking (at least for now), his final feature before stopping to focus on his painting.

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    Sex, Tears and Liberace: Steven Soderbergh, Matt Damon and Michael Douglas Go 'Behind the Candelabra' at Cannes

    Adding more decadence to an already glamorous event, Steven Soderbergh's fabulous (in all senses of the word) Liberace biopic, "Behind the Candelabra," premiered this morning at Cannes the way American audiences won't be able to see it -- on the big screen. The HBO production, which airs May 26 (it'...

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    Cannes So Far: Indiewire's Mid-Festival Wrap-Up

    The 66th edition of the Cannes Film Festival is now at its halfway mark, and although we are still waiting on major directors like Alexander Payne, Roman Polanski, Jim Jarmusch and Steven Soderbergh to unveil their films, the festival has already provided a promising amount of buzz and excitement. F...

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