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Cannes Film Festival

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    Cannes Review: 'Maps to the Stars' is David Cronenberg's Angriest Movie

    David Cronenberg has always been a filmmaker whose work pushes against conventional storytelling, but with "Maps to the Stars," he assails the institution responsible for its ugliest examples.

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    Cannes Review: Channing Tatum Anchors Bennett Miller's Icy 'Foxcatcher,' But the Revelation is Steve Carell

    Bennett Miller's story of a professional wrestler and the deranged man who financed him before turning to murder gives Steve Carrell his first great dramatic role.

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    Sex, Soul Searching & a Naked Gerard Depardieu: Abel Ferrara's DSK Drama 'Welcome to New York' is Bonkers

    A deliriously entertaining political cartoon in B-movie clothing, Abel Ferrara's "Welcome to New York" puts Dominique Strauss-Kahn's sex scandal under the microscope.

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    Review: How 'The Blue Room' Proves That Mathieu Amalric Is a True Actor-Director

    The short but precision-tooled feature suggests that maybe it's time to finally start calling Amalric an actor-director.

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    Cannes Review: Nuri Bilge Ceylan's 'Winter Sleep' is Three Hours-Plus and Worth the Trip

    At three hours and sixteen minutes, Nuri Bilge Ceylan's latest is an extensive look at the morally complex world of a wealthy Turkish man.

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    Cannes Review: Pedro Almodovar-Produced 'Wild Tales' Is a Brilliant Social Satire

    Wild Tales" enacts a savage assault on contemporary Argentine society, skewering class and gender biases through a series of morbid segments alive with dark humor.

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    FilmChatter: Top 10 Indie Film Tweets of the Week - Cannes, Women Directors and More

    Here are our 10 favorite indie film tweets of the week.

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    You'll Finally Get To See River Phoenix's Last Movie, 'Dark Blood'

    River Phoenix's final film "Dark Blood" had been delayed for two decades due to the actor's tragic death in 1993.

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    Cannes Review: With the Ryan Reynolds Thriller 'The Captive,' Has Atom Egoyan Lost His Way For Good?

    Atom Egoyan's Ryan Reynolds vehicle is cold thriller that turns the director's cerebral style into a basic formula.

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    Cannes Review: An Aging Stripper Finds Love In Un Certain Regard Opener 'Party Girl'

    Amateur performer Angélique Litzenburger stars as a fictionalized version of herself, playing a 60-year-old bar hostess and cabaret performer stuck in the same cycle of recklessness that has weighed down on her for the duration of her life.

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