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Cannes Film Festival

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    'Ain't Them Bodies Saints'' Doomed Lovers Rooney Mara and Casey Affleck on Cannes Reception and Those Terrence Malick Comparisons

    A few months after world premiering at Sundance to great acclaim, David Lowery's "Badlands"-style love story "Ain't Them Bodies Saints" had its European unveiling at Cannes over the weekend, following in the footsteps of last year's "Beasts of the Southern Wild," which went on a similar journey befo...

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    6 Reasons These Cannes Cinderella Stories Have Happy Endings

    From the freeway-scale movie billboards on the side of the Carlton Hotel to the Palais security who really won't let you in the theater if they find your fashion sense lacking, Cannes is designed to overwhelm. And while this event is a film lover's mecca, it can also be remarkably unforgiving with a...

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    Cannes Review: Martian Zombies and Liev Schreiber Can't Quite Salvage 'Last Days on Mars'

    Mars has been a frequent setting for science fiction cinema, being an object of wonder and mystery just barely within our reach, but the appeal rarely translates to the screen. From "Ghosts of Mars" to "Mission on Mars," movies set on the red planet tend come across as icily as the desolate terrain....

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    'F*ck yeah, let's go:' Robin Wright Discusses Playing Robin Wright in Ari Folman's Divisive Cannes Drama 'The Congress'

    "This movie is not autobiographical in any way," Robin Wright stressed to the press seated for a roundtable session in Cannes to discuss "The Congress," Ari Folman’s half live-action, half animated hallucinatory indictment of the moviemaking industry starring Wright as a character named...Robin Wrig...

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    Cannes Review: At Nearly 4 Hours, Claude Lanzmann's 'The Last of the Unjust' Adds a Valuable Chapter to 'Shoah'

    Cannes Review: At Nearly 4 Hours, Claude Lanzmann's 'The Last of the Unjust' Adds a Valuable Chapter to 'Shoah'

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    The 9 Best Things Said by the Coen Bros., Carey Mulligan and Justin Timberlake at the 'Inside Llewyn Davis' Cannes Press Conference

    Greeted with a lot of big laughs and extended applause at its first Cannes press screening last night, Joel and Ethan Coen's latest love letter to music "Inside Llewyn Davis" did not disappoint. (Our own Eric Kohn went so far as to say "it isn't the minor Coen Bros. movie it looks like.")

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    Cannes is About Money, Money, and Movies: Alec Baldwin and James Toback's 'Seduced and Abandoned'

    At last year's Cannes Film Festival, Alec Baldwin set out with writer-director James Toback to make a movie about the difficulty of making movies. And now that project, a documentary entitled "Seduced and Abandoned," has premiered at Cannes. The meta quality extends to the exploits captured in the f...

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    RADiUS-TWC Makes First Major Deal Of Cannes: Jeremy Saulnier's 'Blue Ruin'

    RADiUS-TWC has made the first major deal of a film screening at Cannes: Jeremy Saulnier's "Blue Ruin," which is world premiering in the Director's Fortnight.Full press release below.Cannes - May 18, 2013: RADiUS - TWC proudly announced tonight that it has acquired North American rights to BLUE RUIN...

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    Cannes: Why 'Inside Llewyn Davis' Isn't the Minor Coen Bros. Movie It Looks Like

    "That's a folk song," says Llewyn Davis (Oscar Isaac) in the opening scene of Joel and Ethan Coen's aptly titled "Inside Llewyn Davis." One could usually make a similar pronouncement about the Coen brothers' usually eccentric works -- yep, that's a Coen movie, folks -- but this one's a different sto...

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    Cannes Review: 'The Dance of Reality,' Alejandro Jodoroworsky's First Film in 23 Years, Is a Return to Form

    In the opening minutes of "The Dance of Reality," zany cult director Alejandro Jodorowsky's first movie in 23 years, the director appears onscreen reciting a poem that compares money to blood, Christ and Buddha, then equates death to consciousness and wealth. It's that wacky combination of evocative...

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