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Cannes Film Festival

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    How the Robert Pattinson Vehicle 'Cosmopolis' Appeals to David Cronenberg Fans (And Nobody Else)

    How the Robert Pattinson Vehicle 'Cosmopolis' Appeals to David Cronenberg Fans (And Nobody Else)

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    CANNES: Does The Palme d'Or Ever Equal Box Office Receipts?

    Whatever wins the Palme d’Or this weekend at the Cannes Film Festival, statistics say that the prize offers no assurance of box office success. The last 10 winners totaled just $173.9 million in North America, with a whopping $119.2 million (69%) coming from Michael Moore’s 2004 winner &...

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    CANNES: Sundance Selects Nabs U.S. Rights to Ken Loach's 'The Angels' Share'

    Sundance Selects has acquired U.S. rights to Ken Loach's "The Angels' Share," which screened at the Cannes Film Festival earlier this week.

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    'Aqui y Alla' Leads Critics' Week Winners

    "Aqui y Alla" -- the debut film from Spanish director Antonio Mendez Esparza -- has received the Nespresso Grand Prize from the 51st Critics' Week.

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    CANNES 2012: Philip Kaufman Talks Tumultuous Romances and Trying Out TV With 'Hemingway & Gellhorn'

    It's been almost five decades since Philip Kaufman first came to Cannes with his 1964 debut "Goldstein," an indie comedy co-directed by Benjamin Manaster. In the time since, his varied work has encompassed wide-ranging themes, from the multiple Academy Award-nominated test pilot s...

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    CANNES: Kino Lorber Goes 'In Another Country' With Isabelle Huppert

    Kino Lorber has acquired U.S. rights to the Cannes competition entry "In Another Country," the latest film by South Korean filmmaker Hong Sang-soo ("Night and Day"), that stars Isabelle Huppert. The film marks Sang-soo's first English-language film (it's also in Korean). ...

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    CANNES REVIEW: Is Lee Daniels' 'The Paperboy' So Bad Its Good? Only If That's What You Want From It.

    Lee Daniels' "The Paperboy" is a rare case of serious commitment to outright silliness. The director's follow-up to "Precious" fries its dramatic content with a blazingly absurd grindhouse style as extreme as the humidity bearing down on his characters.

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    Carlos Reygadas' 'Post Tenebras Lux' Is a Mess of Half-Baked Ideas

    A key distinction between Mexican director Carlos Reygadas' completely baffling "Post Tenebras Lux" and his previous feature "Silent Light" comes from comparing their opening sequences. "Silent Light" begins with a supremely lyrical shot of natural imagery slowly fa...

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    CANNES REVIEW: Why Walter Salles' 'On the Road' Adaptation Is Better Than You Think

    Red flags immediately go up whenever a filmmaker embarks on adapting a beloved classic. Walter Salles' long-gestating big screen treatment of "On the Road" provides the latest example: Years in development, the nearly-two-and-a-half hour treatment of Jack Kerouac's seminal novel of...

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    CANNES 2012 | 'The Paperboy' Director Lee Daniels On Why He Listens To His Critics

    After seeing his directorial debut "Precious" premiere in Sundance's US Dramatic Competition and go on to become a Academy Award-winning phenomenon, Lee Daniels is set to unveil his sophomore effort "The Paperboy" in Competition at Cannes on Thursday.

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