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Cannes Film Festival

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    CANNES: Kino Lorber Goes 'In Another Country' With Isabelle Huppert

    Kino Lorber has acquired U.S. rights to the Cannes competition entry "In Another Country," the latest film by South Korean filmmaker Hong Sang-soo ("Night and Day"), that stars Isabelle Huppert. The film marks Sang-soo's first English-language film (it's also in Korean). ...

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    CANNES REVIEW: Is Lee Daniels' 'The Paperboy' So Bad Its Good? Only If That's What You Want From It.

    Lee Daniels' "The Paperboy" is a rare case of serious commitment to outright silliness. The director's follow-up to "Precious" fries its dramatic content with a blazingly absurd grindhouse style as extreme as the humidity bearing down on his characters.

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    Carlos Reygadas' 'Post Tenebras Lux' Is a Mess of Half-Baked Ideas

    A key distinction between Mexican director Carlos Reygadas' completely baffling "Post Tenebras Lux" and his previous feature "Silent Light" comes from comparing their opening sequences. "Silent Light" begins with a supremely lyrical shot of natural imagery slowly fa...

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    CANNES REVIEW: Why Walter Salles' 'On the Road' Adaptation Is Better Than You Think

    Red flags immediately go up whenever a filmmaker embarks on adapting a beloved classic. Walter Salles' long-gestating big screen treatment of "On the Road" provides the latest example: Years in development, the nearly-two-and-a-half hour treatment of Jack Kerouac's seminal novel of...

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    CANNES 2012 | 'The Paperboy' Director Lee Daniels On Why He Listens To His Critics

    After seeing his directorial debut "Precious" premiere in Sundance's US Dramatic Competition and go on to become a Academy Award-winning phenomenon, Lee Daniels is set to unveil his sophomore effort "The Paperboy" in Competition at Cannes on Thursday.

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    CANNES Mid-Festival Dispatch: Forget About the Palme D'Or, Some of the Most Interesting Movies Are the Mixed Bags

    Last week at Cannes I encountered a familiar problem: standing in line for a crowded screening and getting turned away at the door. Within hours, I heard that a consensus had been reached: The new Michel Gondry film was terrible. "The We and the I," the opening-night selection of the Direc...

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    CANNES Q&A: Jennifer Lynch Explores Her Fears in Market Title 'A Fall From Grace'

    Jennifer Lynch’s laugh sounds just like you’d expect it to: full of mischievous fun, raspy and more than a little dirty. It’s refreshing to hear that even after her savaged 1993 film debut “Boxing Helena” and a string of spinal surgeries that kept her from making anothe...

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    CANNES: Ben Wheatley's Hot Directors' Fortnight Title 'Sightseers' Goes to IFC Films

    IFC Films has bought North American rights to the dark comedy "Sightseers," directed by Ben Wheatley ("Kill List"). The Directors Fortnight film premieres today in Cannes. Written by the film's stars, Alice Lowe and Steve Oram, with additional material by Amy Jump, "...

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    Leos Carax Makes a Nutty Comeback With 'Holy Motors,' But Don't Expect Easy Answers

    "Holy Motors" is balls-to-the-wall crazy, beautiful and unbelievably strange. This is a movie about movies, life, death, the human condition, monkeys, music, chaos, suicide, whatever.

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    Watch: Teaser for 'Rubber' Director Quentin Dupieux's 'WRONG COPS'

    The filmmaker behind "Rubber," the movie starring, you know, a tire, has another weird movie looking for funding. It's called "WRONG COPS" and it stars Marilyn Manson, and yes, the title is in all caps. It's a comedy about disturbed cops, which means that, sadly, tires ma...

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