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Cannes Film Festival

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    CANNES REVIEW | Aki Kaurismaki's "Le Havre" Is a Deadpan Delight

    With its bouncy soundtrack, deadpan humor and good-natured disposition, Finnish director Aki Kaurismaki's "Le Havre" is an endearing affair. Combining his clownish storytelling with a life-affirming plot, Kaurismaki churns a fundamental scenario through his own unique narrative te...

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    The Five Smartest Things Said at the Cannes Distribution Panel

    All this week, the American Pavilion in Cannes has been hosting a series of industry and talent conversations. On Friday afternoon, AmPav took on the always tidy subject of releasing a film in its panel, "Indie Film Innovators: Keeping Up with New Thinking in Distribution." As usual, ...

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    CANNES REVIEW | Jailed Iranian Filmmaker Mohammad Rasoulof Delivers An Indictment With "Goodbye"

    With his fifth feature, "Goodbye," jailed Iranian filmmaker Mohammad Rasoulof delivers a suspenseful and moving portrait of modern censorship in the country that has currently placed him in its governmental crosshairs. Along with fellow Iranian filmmaker Jafar Panahi, Rasoulof has been sentenced to ...

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    Everything You Would Ever Want to Know About Cannes 2011 (So Far)

    inidieWIRE's been on the scene at the 64th Festival de Cannes covering the flurry of activity rocking La Croisette since last Wednesday. Below find links to all our coverage, plus that from our blog network.

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    Cannes Clicks: Day 7 at indieWIRE and Around the Web

    Each day at the Cannes Film Festival (May 11 - 22), indieWIRE is publishing an updated compilation of articles from indieWIRE, our blog network and other outlets.

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    Does The Palme d'Or Ever Equal Box Office Receipts?

    Whatever wins the Palme d’Or at this year’s Cannes Film Festival, statistics say that the prize offers no assurance of box office success. The last 10 winners totaled just $161.8 million in North America, with a whopping $119.2 million - or 74% -  coming from Michael Moore’s 2004 winner “Fahrenheit ...

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    'Return' Actress Linda Cardellini: "I didn't think I grasped being on screen every second"

    Linda Cardellini had her work cut out for her in her latest role as Kelli in Liza Johnson's subtly riveting "Return," which premiered in the Directors Fortnight at the 2011 Cannes Film Festival. She's in virtually every scene.

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    Cannes Clicks: Day 6 at indieWIRE and Around the Web

    Each day at the Cannes Film Festival (May 11 - 22), indieWIRE is publishing an updated compilation of articles from indieWIRE, our blog network and other outlets.

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    The "Tree of Life" Press Conference and The Man Who Wasn't There

    Outside the Palais Monday morning, the love for Terrence Malick was on the verge of turning into frenzy. Members of the press leapt over railings and used mosh-pit tactics in order to break through the crowd and run up the Palais steps. Scores of fans held handmade signs begging passersby for a tick...

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    CANNES REVIEW | Terrence Malick's "The Tree of Life" Is A Visually Astounding Achievement

    More meditation than movie, Terrence Malick's "The Tree of Life" is bound to mystify, awe and exasperate in equal measures. Another profoundly inspired and visually scrumptious multi-year production from the reclusive filmmaker, Malick's fifth feature in a career that spans three decades contains hi...

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