Cannes Film Festival

The Coens, Justin Timberlake, Carey Mulligan & Oscar Isaac Give Seven Easy Steps to Get To Know 'Llewyn Davis'

The Coen Bros' re-visit of the early folk music era in New York's Greenwich Village was certainly not lost in translation here in Cannes where it was received with almost universal affirmation earlier this week. "Inside Llewyn Davis" may also mark a turning point for actor Oscar Isaac, who's presenc...

The 2013 Cannes Review Report: 'Jodorowsky's Dune'

Latinobuzz: Films in Progress 24 Opens Its Call for Submissions

This is one of the 3 most important events for Latino films seeking post production financing, sakes agents and distribution.

Cannes Deals UPDATE: Sundance Selects Nabs 'Young & Beautiful' and 'Blue Is the Warmest Color,' Lionsgate Takes 'Blood Ties,' Starring Cotillard and Owen

Sundance Selects is acquiring U.S. rights to writer-director François Ozon's competition drama "Young & Beautiful" from Wild Bunch. The coming-of-age film, which received mixed festival reaction, stars Marine Vacth, Geraldine Pailhas, Frederic Pierrot, Fantin Ravat, Johan Leysen and Charlotte Rampli...

Sundance Selects Takes Ozon's 'Beautiful' Out of Cannes

Sundance Selects has acquired U.S. rights to Francois Ozon's Cannes Film Festival competition title 'Young & Beautiful.'

CANNES 2013: Nicholas Winding Refn's ONLY GOD FORGIVES

In Nicolas Winding Refn’s "Only God Forgives," to witness God is to experience the devil.

Cannes Market: Weinstein Co. Lands Jeunet's 3D 'Young and Prodigious Spivet,' Olivier Assayas to Helm First US Film

More news is coming in from the ever-busy Cannes Market. The Weinstein Company has snapped up the latest Jean-Pierre Jeunet film, 3D epic "The Young and Prodigious Spivet" (watch the trailer below), while French director Olivier Assayas is set to helm his first US shoot, true-crime drama "Hubris."

Cannes Review: Cannibal Tale ‘We Are What We Are’ Threatens To Give Horror Remakes A Good Name

“When I saw his movie,” said director Jim Mickle in his opening thank you to Jorge Michel Grau, the director of “Somos Lo Que Hay,” “I was jealous of everything: the idea, the plot, the style, and jealous that it was playing at Cannes in Director’s Week.” And so Mickle went about securing the rights...

'Only God Forgives': Gosling No-Show at Cannes, Press Conference, Review Roundup

"Only God Forgives" was unveiled Wednesday morning to the most divisive response at the Cannes festival thus far, and even with the smattering of boos and walkouts we’d hazard a guess that Nicolas Winding Refn couldn’t be more delighted by the reception. As empty, soulless, frenziedly art-directed v...