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Cannes Film Festival

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    Cannes Clicks: Day 6 at indieWIRE and Around the Web

    Each day at the Cannes Film Festival (May 11 - 22), indieWIRE is publishing an updated compilation of articles from indieWIRE, our blog network and other outlets.

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    The "Tree of Life" Press Conference and The Man Who Wasn't There

    Outside the Palais Monday morning, the love for Terrence Malick was on the verge of turning into frenzy. Members of the press leapt over railings and used mosh-pit tactics in order to break through the crowd and run up the Palais steps. Scores of fans held handmade signs begging passersby for a tick...

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    CANNES REVIEW | Terrence Malick's "The Tree of Life" Is A Visually Astounding Achievement

    More meditation than movie, Terrence Malick's "The Tree of Life" is bound to mystify, awe and exasperate in equal measures. Another profoundly inspired and visually scrumptious multi-year production from the reclusive filmmaker, Malick's fifth feature in a career that spans three decades contains hi...

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    CANNES REVIEW | Jonathan Caouette Returns With Flawed But Fascinating "Walk Away Renée"

    When "Tarnation"--Jonathan Caouette's non-fiction account of his troubled family life--made the festival rounds in 2003, it was considered a cinematic revelation. Famously putting the whole thing together in iMovie, he assembled a collage of photo albums, home movies, voicemails and other fragmentar...

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    Sundance Selects In Bed with Cannes' "Sleeping Beauty"

    Sundance Selects has picked up U.S. rights to Julia Leigh's controversial Cannes competition film, "Sleeping Beauty."

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    Cannes Clicks: Day 5 at indieWIRE and Around the Web

    Each day at the Cannes Film Festival (May 11 - 22), indieWIRE is publishing an updated compilation of articles from indieWIRE, our blog network and other outlets.

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    CANNES INTERVIEW | "We Need To Talk About Kevin" Director Lynne Ramsay: "This is not an issue movie"

    Lynne Ramsay is back. The Scottish director first made a name for herself with her acclaimed 1999 debut "Ratcatcher," which she followed with the similarly well-received 2002 effort "Morvern Callar," a Directors' Fortnight entry.

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    CANNES REVIEW | "The Kid With a Bike" at Once New and Too Familiar

    Something that, on the surface, looks startlingly new, slowly reveals itself to be something surprisingly familiar and not all that effective in the latest film from the Belgian brothers Jean-Pierre and Luc Dardenne. Their Cannes competition film “The Kid With a Bike” is the arthous...

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    CANNES REVIEW | Markus Schleinzer's "Michael" Puts a Pedophile in Uneasy Focus

    Markus Schleinzer's "Michael" is a triumph of uneasy cinema: Not since Todd Solondz's "Happiness" has a movie portrayed pedophilia in such uncomfortable detail. With an unorthodox level of restraint, the Austrian director tells the story of a dull office drone who keeps a kidnapped young boy locked ...

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