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Cannes Film Festival

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    CANNES REVIEW | Jonathan Caouette Returns With Flawed But Fascinating "Walk Away Renée"

    When "Tarnation"--Jonathan Caouette's non-fiction account of his troubled family life--made the festival rounds in 2003, it was considered a cinematic revelation. Famously putting the whole thing together in iMovie, he assembled a collage of photo albums, home movies, voicemails and other fragmentar...

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    Sundance Selects In Bed with Cannes' "Sleeping Beauty"

    Sundance Selects has picked up U.S. rights to Julia Leigh's controversial Cannes competition film, "Sleeping Beauty."

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    Cannes Clicks: Day 5 at indieWIRE and Around the Web

    Each day at the Cannes Film Festival (May 11 - 22), indieWIRE is publishing an updated compilation of articles from indieWIRE, our blog network and other outlets.

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    CANNES INTERVIEW | "We Need To Talk About Kevin" Director Lynne Ramsay: "This is not an issue movie"

    Lynne Ramsay is back. The Scottish director first made a name for herself with her acclaimed 1999 debut "Ratcatcher," which she followed with the similarly well-received 2002 effort "Morvern Callar," a Directors' Fortnight entry.

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    CANNES REVIEW | "The Kid With a Bike" at Once New and Too Familiar

    Something that, on the surface, looks startlingly new, slowly reveals itself to be something surprisingly familiar and not all that effective in the latest film from the Belgian brothers Jean-Pierre and Luc Dardenne. Their Cannes competition film “The Kid With a Bike” is the arthous...

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    CANNES REVIEW | Markus Schleinzer's "Michael" Puts a Pedophile in Uneasy Focus

    Markus Schleinzer's "Michael" is a triumph of uneasy cinema: Not since Todd Solondz's "Happiness" has a movie portrayed pedophilia in such uncomfortable detail. With an unorthodox level of restraint, the Austrian director tells the story of a dull office drone who keeps a kidnapped young boy locked ...

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    Cannes Clicks: Day 4 at indieWIRE and Around the Web

    Each day at the Cannes Film Festival (May 11 - 22), indieWIRE is publishing an updated compilation of articles from indieWIRE, our blog network and other outlets.

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    CANNES REVIEW | "Poliss" is French Satire Meets "The Wire"

    Based on real-life cases of the Child Protection Unit, the French procedural "Poliss" tells several stories at once. The third feature directed by French actress Maïwenn Le Besco (credit here simply as Maïwenn), it explores the personal lives and daily grind of the Parisian CPU with an incredible am...

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    "Habemus Papam" Can't Make Its Hesitant Pope Story Connect

    Editor's Note: This review was originally published during the Cannes Film Festival. "Habemus Papam" opens in limited release on Friday.

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    iPOP | This Week on the Scene: The 64th Festival de Cannes Launches

    indieWIRE is on the scene in France at the 64th Festival de Cannes which just launched Wednesday, keeping iPOP busy with glam activity.

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