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Cannes Film Festival

  • Indiewire
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    'The Artist' Star Bérénice Bejo On Returning to Cannes With 'The Past' and Working With Asghar Farhadi For Half a Year

    Returning to Cannes following her international breakthrough performance in 2011's awards juggernaut "The Artist," directed by her husband Michel Hazanavicius, Oscar nominee Bérénice Bejo returned the Croisette this year with another film to sure to bring her back at the forefront of awards talk, As...

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  • The Playlist
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    Cannes Review: Alexander Payne’s ‘Nebraska’ An Overfamiliar Tale Of Connections Broken & Remade

    There’ve been great masses of critical laurels laid at Alexander Payne’s door over the years, some, in our eyes, more earned than others. When it really hits home, the director’s quiet humanism and wry humor can yield perceptive insights, especially into certain trademark areas of expertise: family ...

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  • Thompson on Hollywood
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    The Coens, Justin Timberlake, Carey Mulligan & Oscar Isaac Give Seven Easy Steps to Get To Know 'Llewyn Davis'

    The Coen Bros' re-visit of the early folk music era in New York's Greenwich Village was certainly not lost in translation here in Cannes where it was received with almost universal affirmation earlier this week. "Inside Llewyn Davis" may also mark a turning point for actor Oscar Isaac, who's presenc...

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  • Criticwire
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  • SydneysBuzz
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    Latinobuzz: Films in Progress 24 Opens Its Call for Submissions

    This is one of the 3 most important events for Latino films seeking post production financing, sakes agents and distribution.

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    Sundance Selects Takes Ozon's 'Beautiful' Out of Cannes

    Sundance Selects has acquired U.S. rights to Francois Ozon's Cannes Film Festival competition title 'Young & Beautiful.'

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  • Press Play
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    CANNES 2013: Nicholas Winding Refn's ONLY GOD FORGIVES

    In Nicolas Winding Refn’s "Only God Forgives," to witness God is to experience the devil.

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    Cannes Review: Cannibal Tale ‘We Are What We Are’ Threatens To Give Horror Remakes A Good Name

    “When I saw his movie,” said director Jim Mickle in his opening thank you to Jorge Michel Grau, the director of “Somos Lo Que Hay,” “I was jealous of everything: the idea, the plot, the style, and jealous that it was playing at Cannes in Director’s Week.” And so Mickle went about securing the rights...

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  • Thompson on Hollywood
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    Winding Refn Talks 'Only God Forgives': Cannes Press Conference, Review Roundup

    "Only God Forgives" was unveiled Wednesday morning to the most divisive response at the Cannes festival thus far, and even with the smattering of boos and walkouts we’d hazard a guess that Nicolas Winding Refn couldn’t be more delighted by the reception. As empty, soulless, frenziedly art-directed v...

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    Cannes: How 'Only God Forgives' Suggests Ryan Gosling's Schtick Has Worn Thin

    Ryan Gosling is a talented actor who has faced the same challenge most distinctive performers inevitably must confront: the danger of turning into a walking cliché. To that end, the decision to avoid traditional blockbuster vehicles in favor of Nicolas Winding Refn's ultra-violent B-movie-turned-art...

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