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Cannes Film Festival

  • Criticwire
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    21

    Cannes Review Capsule: 'Holy Motors'

    Leos Carax's first movie in 13 years is the first surprise hit of the festival.

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  • Thompson on Hollywood
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    Robert Rodriguez Talks 'Sin City 2,' 'Machete 2' At Cannes 2012

    Robert Rodriguez was on the roof of the Cannes JW Marriott the other day talking about the two sequels next on his plate: 'Sin City 2: A Dame To Kill For' and 'Machete Kills,' which he’ll shoot first, starting in the next few weeks.

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    CANNES 2012: Walter Salles' ON THE ROAD

    Walter Salles and Jose Rivera love the characters and world of "On the Road" too much to know how to properly represent them.

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  • Indiewire
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    CANNES REVIEW: Why Walter Salles' 'On the Road' Adaptation Is Better Than You Think

    Red flags immediately go up whenever a filmmaker embarks on adapting a beloved classic. Walter Salles' long-gestating big screen treatment of "On the Road" provides the latest example: Years in development, the nearly-two-and-a-half hour treatment of Jack Kerouac's seminal novel of...

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  • The Playlist
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    The Playlist Interview From Cannes: Wes Anderson Discusses The Nostalgia, Music, & Making Of 'Moonrise Kingdom'

    Few filmmakers have a more distinctive take on the world than Wes Anderson. Many of his contemporaries -- David O Russell, Darren Aronofsky, Spike Jonze et al -- are extraordinary filmmakers, but it's only with Anderson that you can look at a single frame -- any frame -- and instantly know that it's...

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  • Thompson on Hollywood
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    Cannes 2012: Walter Salles and Sprawling Cast Recreate Jack Kerouac's 'On the Road,' Which is Cruising for an NC-17

    "On the Road" is a two hour and 17-minute recreation of Jack Kerouac's seminal 1957 novel. It's a serious thoughtful gorgeously mounted period art film and American travelogue, carefully researched and painstakingly crafted. Walter Salles and writer Jose Rivera, the team behind &qu...

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    CANNES 2012: Leos Carax's HOLY MOTORS

    Where does one begin with Leos Carax’s insane "Holy Motors"? Maybe its incredible central performance(s) by Denis Lavant, who literally transforms into a different character in nearly every other scene, each one stranger than the next? Or perhaps its stark raving mad narrative that bends so far into...

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  • Shadow and Act
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  • Indiewire
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    CANNES 2012 | 'The Paperboy' Director Lee Daniels On Why He Listens To His Critics

    After seeing his directorial debut "Precious" premiere in Sundance's US Dramatic Competition and go on to become a Academy Award-winning phenomenon, Lee Daniels is set to unveil his sophomore effort "The Paperboy" in Competition at Cannes on Thursday.

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  • Thompson on Hollywood
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    Lionsgate Pacts with StudioCanal for Extended Global Partnership

    At Cannes for the first time in their new roles as co-chairs of Lionsgate Motion Picture Group, ex-Summit co-chiefs Patrick Wachsberger, long a major player on the international distribution and film sales scene, and Rob Friedman are wielding some muscle on the Croisette. Lionsgate and French distri...

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