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Cannes Film Festival

Cannes Film Festival

  • Women and Hollywood
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    Sexism Watch: Comment from Critic in Cannes

    Here's how Financial Times critic Nigel Andrews ended a recent piece on Cannes Film Festival

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  • Thompson on Hollywood
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    Cannes Virgin Diary 3: Critics' Week Yields Breakouts 'Aqui y Alla,' 'Sofia's Last Ambulance'

    This is the best film yet to screen at Cannes' Critics' Week, confidently made without a single wasted scene. The quotidian reality of Guerrero village life is realized with lyricism and lack of sentimentality.

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  • The Playlist
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    Guy Pearce Reveals Details Of Drake Doremus' Next; Says It's About An Inappropriate Teacher/Student Relationship

    Guy Pearce has been having a pretty damn good year in 2012. The actor's been moving towards stardom since "The Adventures of Priscilla, Queen Of The Desert" and "L.A. Confidential" fifteen years ago, and looked to turn into a megastar after "Memento," but when big-budget studio picture "The Time Mac...

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  • Criticwire
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    Criticwire Critics Analyze Cannes at the Halfway Mark

    Halfway through Cannes 2012, we highlight the best and not-quite-as-good, based on the feedback from our Criticwire members.

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  • The Playlist
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    Cannes Review: Beat Classic 'On The Road' Comes To The Screen In Lustrous-But-Long-Winded Fashion

    Jack Kerouac's "On the Road" has been heralded for decades: an important novel, a cultural signifier, a sociological landmark, a cracking good read. It's also been considered "unfilmable" -- but now Walter Salles ("The Motorcycle Diaries," "Dark Water") brings the novel to the screen, and "The Motor...

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  • Indiewire
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    CANNES Mid-Festival Dispatch: Forget About the Palme D'Or, Some of the Most Interesting Movies Are the Mixed Bags

    Last week at Cannes I encountered a familiar problem: standing in line for a crowded screening and getting turned away at the door. Within hours, I heard that a consensus had been reached: The new Michel Gondry film was terrible. "The We and the I," the opening-night selection of the Direc...

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  • Indiewire
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    CANNES Q&A: Jennifer Lynch Explores Her Fears in Market Title 'A Fall From Grace'

    Jennifer Lynch’s laugh sounds just like you’d expect it to: full of mischievous fun, raspy and more than a little dirty. It’s refreshing to hear that even after her savaged 1993 film debut “Boxing Helena” and a string of spinal surgeries that kept her from making anothe...

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  • Indiewire
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    CANNES: Ben Wheatley's Hot Directors' Fortnight Title 'Sightseers' Goes to IFC Films

    IFC Films has bought North American rights to the dark comedy "Sightseers," directed by Ben Wheatley ("Kill List"). The Directors Fortnight film premieres today in Cannes. Written by the film's stars, Alice Lowe and Steve Oram, with additional material by Amy Jump, "...

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  • Indiewire
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    Leos Carax Makes a Nutty Comeback With 'Holy Motors,' But Don't Expect Easy Answers

    "Holy Motors" is balls-to-the-wall crazy, beautiful and unbelievably strange. This is a movie about movies, life, death, the human condition, monkeys, music, chaos, suicide, whatever.

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  • Press Play
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    CANNES 2012: Andrew Dominik's KILLING THEM SOFTLY

    It’s a testament to Australian director Andrew Dominik’s considerable story-telling abilities that a movie as nakedly cynical and aggressively repellent in its philosophy as "Killing Them Softly" is as satisfying as it is.

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