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Sundance Film Festival

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    Masterful 'Before Midnight' Reunites Ethan Hawke and Julie Delpy For the Best Installment of Richard Linklater's Trilogy

    With "Before Midnight," Richard Linklater has completed one of the finest movie trilogies of all time, consolidating the full power of the earlier movies into a masterful treatise on the evolution of romance.

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    Park Chan-wook's First American Movie, 'Stoker,' Features a Creepy Mia Wasikowska and Familiar Violent Streak

    South Korean auteur Park Chan-wook's filmmaking always dances a fine line between sublime and absurd genre ingredients. "Stoker," his first American-set, English language picture, is no exception. It's tempting to resist describing the movie in terms of the cinematic traditions it calls to mind: Alf...

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    Sundance 2013: IFC Films Falls for Michael Winterbottom's 'The Look of Love'

    IFC Films has taken North American rights to Michael Winterbottom’s “The Look of Love,” which amounts to the first acquisition of a dramatic film at the 2013 Sundance Film Festival. The Premieres section drama first screened Saturday night at the Eccles Theatre.

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    Sundance 2013: 'Pussy Riot' Doc to Air on HBO

    Another documentary out of the Sundance Film Festival’s strong nonfiction programming has found a home: HBO Documentary Films has acquired U.S. TV rights to “Pussy Riot — A Punk Prayer.” The political doc had its world premiere Friday night in the world cinema documentary com...

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    Sundance Review: Outlaw Romance 'Ain't Them Bodies Saints' a Triumph of Visual Poetry and Genre Revision

    As beautifully shot as it is performed by its two leads, "Ain't Them Bodies Saints" channels genre expectations into sheer poetry.

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    Sunday at Sundance: A Quickening Pace, Deals Imminent, Docs Strong

    By mid-afternoon Sunday, day four of the Sundance Film Festival, the acquisitions landscape remained fairly quiet. On the outside.

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    Objectification in Porn and Rom Coms: Joseph Gordon-Levitt Explains 'Don Jon's Addiction' at Sundance Q&A

    The film could have been a crass portrayal of misogynistic, self-involved behavior, but instead it impressed the audience with a thoughtful examination that shows compassion for most of its hilarious characters.

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    Sundance 2013: 'Ain't Them Bodies Saints' Producers Receive the $10K Indian Paintbrush Producer's Award

    Sundance Film Festival competition drama “Ain’t Them Bodies Saints” and its producers, Toby Halbrooks and James M. Johnston of Sailor Bear, have been selected as the winners of the 2013 Indian Paintbrush Producer's Award. The award, which comes with a $10,000 grant, was announc...

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    Sundance 2013: Sundance Selects Acquires U.S. Competition Doc 'Dirty Wars'

    Documentaries continue to get snatched up in the early says of the Sundance Film Festival. Sunday, Sundance Selects nailed down a deal for North American rights to “Dirty Wars,” Richard Rowley’s look at investigative journalist Jeremy Scahill’s quest to expose America’s...

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    Sundance 2013: How Producers Ron Yerxa and Albert Berger Found Their "Sweet Spot"

    Here is the keynote address delivered by Ron Yerxa and Albert Berger at the annual Sundance Film Festival Producers Brunch Sunday, Jan. 20.

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