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Sundance Film Festival

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    Meet the 2013 Sundance Filmmakers #39 : Srdan Golubovic On His World Dramatic Competition Contender 'Circles'

    It's been a dozen years since Srdan Golubovic's debut feature, "Absolute Hundred" opened at Toronto. Over time, the focus of the born-and-raised Belgrade native has shifted from downtrodden Olympians to parents faced with impossible decisions, the main subject of his Oscar-shortlisted "The Trap" bac...

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    Sundance 2013: Harrowing Climbing Doc 'The Summit' Picked Up by Sundance Selects

    Sundance Selects has acquired North American rights to Nick Ryan’s documentary “The Summit,” which had its world premiere Friday, Jan. 18, at the Sundance Film Festival.

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    Meet the 2013 Sundance Filmmakers #38 : Randy Moore Depicts an Epic Battle in 'Escape from Tomorrow'

    "Escape from Tomorrow" is Randy Moore's debut feature. The Illinois-born filmmaker credits his father for passing on his passion for telling stories. He recalls making short films with a Betamax camera as far back as he can remember. But it was "Dead Poets Society" that chang...

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    Exclusive: Poster Premiere For Sundance Coming-Of-Age Drama 'It Felt Like Love'

    The debut feature from writer/director Eliza Hittman, "It Felt Like Love" premieres tonight at the Sundance Film Festival, and we've got the exclusive first look at the poster in advance of its screening. Following the sexual explorations of a young teenage girl in Brooklyn, "It F...

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    Sundance Review: Jim Mickle's Slow-Burn 'We Are What We Are' Remake Is Quiet, Gross and Better Than the Original

    Writer-director Jim Mickle has steadily established himself as a horror filmmaker with interests that treat the art of shock value with rare maturity. In his feature-length debut "Mulberry Street," he funneled the mold for a cheesy monster movie into a metaphor for gentrification and urban decay; hi...

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    Meet the 2013 Sundance Filmmakers #37 : Gabriela Cowperthwaite Discusses Her Killer Whale Doc 'Blackfish'

    Documentarian Gabriela Cowperthwaite has directed, produced and written works for ESPN, NatGeo, the Discovery and History Channels as well as DirecTV-- among them "City Laz" An Urban Lacrosse Story." She originally moved to LA to pursue a PhD in Political Science, but during a summer in Guatemala sh...

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    Sundance Review: Moving 'After Tiller' Makes the Case For Third-Trimester Abortions

    "Everything has a risk to it," says the late Dr. George Tiller in the opening moments of "After Tiller." It's a prophetic statement that defines the movie's stance. In 2009, Tiller, one of only five licensed physicians performing third-trimester abortions, was shot to dea...

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    Sundance Review: 'Don Jon's Addiction' Is A Charming & Impressive Directorial Debut From Joseph Gordon-Levitt

    Jon Martello is the quintessential modern-day lothario. He and his friends objectify women, rate them on a scale of one to ten and cruise clubs for chicks that they can bed and discard. Jon, in particular, is exceptionally good at wooing the ladies with his muscles, slick-backed hair and cocky charm...

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    Sundance Review: 'Kill Your Darlings' Illuminates An Uncovered Corner Of Beat Generation History With Mixed Results

    When any filmmaker decides to chronicle a largely undocumented or unknown corner of history revolving around famous cultural figures, a question that can raise its head is: what's underneath the surface that compels the director to make the story?

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    Meet the 2013 Sundance Filmmakers #36 : Christina Voros Peeks Behind the Curtain of a Fetish Empire in 'Kink'

    Cinematographer-director Christina Voros, whose alma matters are Harvard and NYU's Tisch Scool, debuted as a director with 2008's "The Ladies," which won 15 festival Grand Jury prizes. Her film "Kink" is the latest of many collaborations with James Franco; others include "As I Lay Dying," "Child of ...

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