After a career in various other capacities in the international film industry, Dylan Mohan Gray has arrived at Sundance 2013 with his filmmaking debut. Self-described as a "garden variety Punjabi-Irish hybrid, lover of contemporary history and politics," Gray studied film in college, but not necessa...
Read More »Jacob Kornbluth's last foray into Sundance territory came back in 2004 with the Mary-Louise Parker-led "The Best Thief in the World." Nearly a decade after, the Berkeley-based director has his first documentary feature in "Inequality for All." A self-taught filmmaker, Kornbluth's background as a wor...
Read More »Director George Tillman Jr.'s filmography includes star-studded studio projects like "Men of Honor" and "Notorious," but you wouldn't guess it from the ultra-sincere "The Inevitable Defeat of Mister and Pete," an earnest tale of two lower class kids spending the summer on their own in the Brooklyn p...
Read More »Only at Sundance would a 9 AM Egyptian screening of a climbing doc --Nick Ryan's "The Summit"-- fill to capacity, bulging with some 80 press, estimated one theater manager. It shows the power of a trusted critic who tips Sundance goers via early reviews, in this case a rave from the LAT's Ken Turan....
Read More »North American rights to Sundance's opening-night film “Twenty Feel From Stardom” have gone to RADiUS-TWC. RADiUS presidents Tom Quinn and Jason Janego are planning a late summer theatrical release.
Read More »The Creative Coalition's and The Asylum's the Passion Project Program is an extension of The Creative Coalition’s Spotlight Initiative, “P3” which will encourage and support passion projects in independent film. The program will kickoff tonight, January 18th, at an entertainment industry leadership...
Read More »Not wasting any time Friday, RADiUS-TWC snatched up North American rights to opening-night documentary “Twenty Feel From Stardom."
Read More »Writer-director Cherien Dabis adds actress to her skill-set with Sundance opening-nighter "May in the Summer," her follow-up to her first 2009 film "Amreeka." In both films Dabis takes her singular experience as an Arab American to reveal how complicated living between cultures can be.
Read More »The work of the Beats has periodically bubbled up into the artistic consciousness over the decades. But why does it have renewed artistic currency now?
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RT @indiewire: Interview: Rooney Mara & Casey Affleck talk 'Ain't Them Bodies Saints' at #Cannes2013 http://t.co/1Afz5Yy4uz … @IFCFilms @FdC_officiel
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RT @indiewire: ICYMI, our review of Steven Soderbergh's 'Behind the Candelabra,' which premiered at Cannes today: http://t.co/6aqiqFhd5W
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RT @GBFmovie: GBF @indiewire's top 10 LGBT films at summer fests http://t.co/sMjYB4hjTW @misterwillett @paul_icon @SashaaPieterse @XoshaRockstar @Andiebo
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RT @sundancefest: #GLAAD to see 6 #Sundance titles on @Indiewire's "Que(e)ries: 10 LGBT Films You Should See" list: http://t.co/g5OVJExDf0
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