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Sundance Film Festival

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    Sundance 2013: Magnolia Pictures Goes Back for More With 'S-VHS'

    After a days-long tug-of-war between Lionsgate and Magnolia Pictures, the latter has finally nailed down a deal for U.S. rights to the horror anthology “S-VHS” at the Sundance Film Festival. One source puts the deal for the Park City at Midnight selection at just north of $1 million.

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  • The Playlist
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    15 Breakout Artists To Watch From The 2013 Sundance Film Festival

    There's still a couple days left of this year's Sundance Film Festival, but for all intents and purposes it's winding down. Most of the press have departed, pretty much every major movie has screened at least once, and many of them have been bought, or will be over the next few days.

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    Sundance 2013: Brit Marling and Ellen Page Deconstruct 'The East' and Explain Why Robert Redford is an "Anarchist Thinker"

    Two years after "Another Earth" and "Sound of My Voice" catapulted her to indie-icon status at Sundance, Brit Marling is back with "The East," and she explains to IW her personal ties to the politically charged screenplay and what makes Sundance's venerable founder a revolutionary.

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    Sundance 2013: David Lowery's 'Ain't Them Bodies Saints' to IFC Films

    David Lowery’s “Ain’t Them Bodies Saints,” one of the most anticipated films of the 2013 Sundance Film Festival, has landed with IFC Films. The U.S. dramatic competition film had its world premiere at the Eccles Theatre Sunday, Jan. 20.

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  • Thompson on Hollywood
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    Sundance Deal: IFC Picks Up 'Ain't Them Bodies Saints'

    IFC has sealed a deal for U.S. rights to David Lowery's Sundance favorite "Ain't Them Bodies Saints." The acquisition reportedly came after a battle involving the company and three other distributors that lasted through the night of January 24 and into the morning of the 25th.

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    Sundance Futures: Lana Wilson, Martha Shane Challenge Assumptions About Third-Trimester Abortions in 'After Tiller'

    Sundance Futures: Lana Wilson, Martha Shane Challenge Assumptions About Third-Trimester Abortions in 'After Tiller'

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    Sundance Review: Sebastian Silva-Michael Cera Thriller 'Magic Magic' A Misfire For Both of Them

    Sundance Review: Sebastian Silva-Michael Cera Thriller 'Magic Magic' A Misfire For Both of Them

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  • Thompson on Hollywood
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    Sundance Review Roundup: 'Blue Caprice' an Eerie Thriller Exploring the 2002 Beltway Snipers

    Critics are raving about Sundance NEXT section entry "Blue Caprice," directed by Alexandre Moors and based on the 2002 sniper attacks in Washington D.C., Maryland and Virginia. The film is an "eerie, disquieting, veritie-style exploration" of the killers' psychologies, while refusing any easy thrill...

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    Sundance: Sony Pictures Classics Acquires Richard Linklater's 'Before Midnight'

    With the big question around "Before Midnight" – will it stand alongside the beloved "Before Sunrise" and "Before Sunset"? – finally answered (it definitely does, read our review), the next question was where the movie was going to end up. It's a tricky one. The first two movies weren't exactly big ...

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