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Sundance Film Festival

Sundance Film Festival

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    Sundance 2013: 'Ain't Them Bodies Saints' Producers Receive the $10K Indian Paintbrush Producer's Award

    Sundance Film Festival competition drama “Ain’t Them Bodies Saints” and its producers, Toby Halbrooks and James M. Johnston of Sailor Bear, have been selected as the winners of the 2013 Indian Paintbrush Producer's Award. The award, which comes with a $10,000 grant, was announc...

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    Sundance 2013: Sundance Selects Acquires U.S. Competition Doc 'Dirty Wars'

    Documentaries continue to get snatched up in the early says of the Sundance Film Festival. Sunday, Sundance Selects nailed down a deal for North American rights to “Dirty Wars,” Richard Rowley’s look at investigative journalist Jeremy Scahill’s quest to expose America’s...

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    Sundance Review: 'Crystal Fairy' Is A Hilarious Drug-Fueled Road Movie & A Welcome Return For Michael Cera

    "Guess if Michael Cera's dead, it's not a total loss right?" Danny McBride says in probably the funniest moment in the teaser for “This Is The End,” a new apocalyptic comedy starring Cera and McBride along with an all-star roster of mostly Apatow-bred comedians all playing distorted versions of them...

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    Sundance 2013: How Producers Ron Yerxa and Albert Berger Found Their "Sweet Spot"

    Here is the keynote address delivered by Ron Yerxa and Albert Berger at the annual Sundance Film Festival Producers Brunch Sunday, Jan. 20.

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    Sundance Sex in Cinema: Gordon-Levitt's 'Jon Don's Addiction,' Winterbottom's 'The Look of Love'

    Michael Winterbottom's "The Look of Love" is hardly the most daring of the sexually explicit movies on display at Sundance this year. Joseph Gordon-Levitt made his debut as writer-director with "Don Jon's Addiction," a New York blue collar comedy in the vein of "Saturday Night Fever" in which JGL's...

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    Sundance Review: Michael Winterbottom's Swinging 'The Look Of Love' Fails To Titillate With Shallow, Empty Story

    While stylishly capturing the verve, exotica, and free-spirited mojo of swinging '60s London, uber-prolific English director Michael Winterbottom's portrait of legendary U.K. smut impresario Paul Raymond is otherwise a shallow misfire.

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    Sundance Interview: 'Ain't Them Bodies Saints' Director David Lowery Explains Making More Accessible Movies and Why He Can't Stop Editing Them

    Unless you've been traveling the U.S. film festival circuit in recent years, chances are strong you haven't heard of David Lowery. The Dallas-based filmmaker's 2009 feature-length debut "St. Nick," a nearly dialogue-free story of two young children in adventuring across an empty landscape, premiered...

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    Sundance Futures: Zachary Heinzerling on the Challenges of Documenting an "Incredibly Complicated Relationship" in 'Cutie and the Boxer'

    Why He’s On Our Radar: Five years in the works, the Sundance U.S. Documentary competition contender, "Cutie and the Boxer," marks the directorial debut of promising New York-based documentary filmmaker Zachary Heinzerling. The intimate doc profiles Ushio and Noriko Shinohara, married Japanese artist...

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    Sundance Review: 'S-VHS' Is An Uneven, Occasionally Thrilling Sequel To The Horror Anthology

    Last year, the indie horror anthology "V/H/S" was released and promised to be chock full of truly in-your-face terror – these were fearless directors, given complete creative freedom, and squeezed together under a tight, blood-soaked package. Of course, the promise of "V/H/S" and the actual movie it...

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    Sundance Review: 'Blackfish' Ensures You'll Never Go to SeaWorld Again

    Nobody from SeaWorld agreed to an interview for "Blackfish," Gabriela Cowperthwaite's searing take on the theme park's mistreatment of killer whales and the dozens of deaths that have resulted from it. Instead, the majority of its subjects are ex-SeaWorld trainers frustrated by the negligence they w...

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