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South By Southwest Film Conference and Festival (SXSW)

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    SXSW '12 | In Which Rob Riggle and Todd Rohal Crash IW's Johnny Knoxville Interview

    When you book like Johnny Knoxville for a one-on-one, it's a safe bet to expect the unexpected. With our bet firmly placed, the "Jackass" star delivered just that during our chat with him at SXSW. Knoxville's been to the festival before, but never for a film (he previously attended to support his...

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    Critic's Notebook: SXSW is Where the Crazy Movies Call Home

    A lot of major festivals showcase bold and provocative work. But SXSW has the rare ability to put a spotlight on wildly subversive creativity for an approving crowd.

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    SXSW REVIEW | Adele Romanski's 'Leave Me Like You Found Me' Wisely Studies a Relationship on the Rocks

    As a producer of "The Myth of the American Sleepover" and "The Freebie," Adele Romanski has helped shepherd two of the more insightful American indies about the travails of young adulthood. Stepping behind the camera for her directorial debut, "Leave Me Like You Found Me,&qu...

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    Hulu Now Featuring SXSW Selection "Re:Generation Music Project"

    "Re:Generation Music Prjoect," one of eight films screening in the Special Events category at SXSW, will be exclusively available on Hulu starting today.

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    SXSW 2012: A Mid-Fest Round-Up of Indiewire's Coverage

    Indiewire is on the scene at this year's South by Southwest Film Conference and Festival bring you the lastest news, reviews and interviews. A lot went down this past weekend, so to make it easy for you, we've compiled it all here in this handy dandy weekend round-up.

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    SXSW REVIEW: 'King Kelly' Is an Intense Found-Footage Indictment of Generation Me

    The found-footage approach to cinematic narrative is no longer epitomized by "The Blair Witch Project." Amateur-quality camerawork has become a part of the vernacular, with the first-person perspective providing an intimate window into human behavior, particularly among the youth culture m...

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    Review: Adorable 'Gimme the Loot' Makes Graffiti Artists Look like 'The Little Rascals'

    Editor's note: A version of this review originally ran during the 2012 SXSW Film Festival.

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    SXSW REVIEW: 'Sinister' Is a Familiar Haunted House Movie, But That's What Makes It Work

    A dark and stormy horror movie of the Stephen King variety, "Sinister" steps carefully through familiar territory. Anchored by a moody Ethan Hawke performance and classically unsettling scare tactics, this icy supernatural thriller from director Scott Derrickson ("The Exorcism of Emil...

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    SXSW REVIEW: Caveh Zahedi Puts Lives in Danger and Faces a Fatwa for 'The Sheik & I.' Immoral or Essential? Try Both.

    Caveh Zahedi built a reputation as a naughty provocateur with surreal docu-comedies like "A Little Stiff" and "I Am a Sex Addict," but his latest effort rises above self-interest and takes a stab at instigating change.

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