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New York Film Festival

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    Martin Scorsese on Fighting For Film Preservation and Not Believing in 'Old Movies'

    "We made it to the moon, but the film is gone. What kind of thinking is this?"

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    Jia Zhangke Reveals How Charlie Chaplin and Vittorio De Sica Saved His Career

    The Chinese filmmaker is back at the New York Film Festival for the seventh time with "Mountains May Depart," and he is also the subject of Water Salles' documentary, "Jia Zhangke, A Guy From Fenyang."

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    PODCAST: Why Do We Care About Film Festivals?

    At a live recording of Screen Talk at the New York Film Festival, Eric Kohn and Anne Thompson sought some answers.

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    Why 'The Forbidden Room' Directors Guy Maddin and Evan Johnson Are More Excited for the Future of Film Than Ever

    "I’m just more excited than ever for the future of filmmaking. I’ve gone through a couple of doldrums periods in my career, where I just couldn’t even see a reason for making a movie. But now I wish I could live another hundred years."

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    How 'Mountains May Depart' Director Jia Zhangke Juggled Past, Present and Future in His Latest Epic

    "The reason it takes time for us to do a closer examination of love, is that through time, we experience new emotions, but we also have a distance to look back on past love and gain a new interpretation and understanding of it."

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    The Coen Brothers and George Clooney Uncover the Magic of 'O Brother, Where Art Thou?' at 15th Anniversary Reunion

    The New York Film Festival honored the Coens' folk comedy with a star-studded celebration at Lincoln Center. Here are the must-read highlights from the big reunion.

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    Nanni Moretti and John Turturro Talk Catharsis and Finding the Comedy in Trauma for 'Mia Madre'

    The two appeared at a NYFF press conference following a screening of their film, "Mia Madre," on September 25.

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    NYFF: How 'The Walk' Reflects Fears of Moviegoing's Future

    The opening night selection of this year's New York Film Festival wasn't perfect, but it aptly summarized the appeal of the big screen — and anxieties surrounding its future.

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