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New York Film Festival

  • The Playlist
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    9

    NYFF: Miguel Gomes On 'Tabu' And The Pleasures And Phantoms Of Cinema

    Behold the courage of Portuguese filmmaker Miguel Gomes: hoping to do a film in the vein of “Meet Me In St. Louis,” he and and a crew traveled to the small Arganil Municipality in the country to begin work on a movie featuring a small family band -- that is until the movie’s investor died before sig...

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    Like the Last Time I Saw Someone in Love in Macao

    Comparing two portraits of urban loneliness from the New York Film Festival.

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    Looking For Reasons to Believe in 'Life of Pi'

    On the difference between "It's visual stunning, but..." and "It's visually stunning, because..."

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    19

    David Thomson Urges Open-Mindedness and Innovation at NYFF Critics Academy (VIDEO)

    Looking every bit the eminent British intellectual in spectacles and elbow patches, film critic and historian David Thomson joined Lincoln Center's Scott Foundas on stage Friday for the New York Film Festival Critics Academy, to discuss his new book "The Big Screen: The Story of the Movies....

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    Through the Looking Glasses

    Hiler’s lens, it seems, doesn’t always respect the jurisdiction of its peers.

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    Cristian Mungiu, Beyond the Films

    On the evolving aesthetics of a brilliantly talented young director.

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    14

    NYFF Wrap: The 4 Best Films, Plus Our Complete Coverage Of The Festival

    There are many reasons we like the New York Film Festival, held by the Film Society of Lincoln Center annually for the past 50 years, but among them is that, as most of our contributors are based in NYC, the whole thing is pretty much in our back garden. But even beyond that, it's always been one of...

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    Garden States: New Jersey, According to David Chase

    The attraction to, and repulsion of New Jersey in the films of David Chase and the music of Steven Van Zandt's bandmate, Bruce Springsteen.

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    NYFF: 'Barbara' Director Christian Petzold Talks The Influence Of 'Klute' & Reveals What He Plans To Do Next

    When the wall came down, German filmmakers found themselves ushered into two clusters: those that concentrated on the country’s fascist past and the others that shined light on anything else. The latter clique was hailed as pushing the medium forward; they often dabbled in social-realism with little...

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