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New York Film Festival

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    NYFF '11 | Unfinished, Martin Scorsese's "Hugo" is a 3-D Lesson in Film History

    It wasn't quite a secret screening by the time Martin Scorsese took the stage at Lincoln Center's Avery Fischer Hall Monday night, but the sneak peek of the director's 3-D fantasy "Hugo" -- shown as part of the New York Film Festival -- still generated palpable anticipation as the packed house got t...

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    NYFF: Simon Curtis Discusses Recreating Marilyn Monroe For 'My Week With Marilyn'

    “My Week With Marilyn” tells the story of Colin Clark, a third assistant director on the set of “The Prince And The Showgirl” who served as mediator between star Marilyn Monroe and the frustrated cast and crew. However, if you heard it from Clark’s memoirs, published long after Monroe’s passing, the...

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    Martin Scorsese's 'Hugo' Is Secret Work-In-Progress Screening At NYFF Tonight, New Featurette Debuts

    Speculation has been rife over the last couple of days among Big Apple-based film fans as to the possible identity of the secret screening that the New York Film Festival added to their program as a last-minute surprise last week. The festival narrowed it down a little, saying that the film was a "w...

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    Béla Tarr Confirms At NYFF That He's Retired From Filmmaking

    We can't claim to be massive fans of everything that Béla Tarr's made; his work can be fascinating, but somewhat trying. But when he's firing on all cylinders, as in "Werckmeister Harmonies," the Hungarian director is an incredibly vital voice in cinema, and even when he's not, his films find a way ...

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    NYFF: Joe Berlinger & Bruce Sinofsky Talk Ethics, Media & Witch-Hunts In The West Memphis Three Docs

    Documentary Filmmakers Of The 'Paradise Lost' Movies Talk The Challenges Of Making Films About Wrongly Convicted MenIt’s not easy to distill the story of the West Memphis Three and the three “Paradise Lost” documentaries (though reading our review of “Paradise Lost 3: Purgatory” might provide some p...

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    Director Sean Durkin Talks Food, Violence And Open Endings In 'Martha Marcy May Marlene'

    All The Lowdown From The NYFF Screening Of One Of The Year's Best FilmsIt may feel like you've been hearing about "Martha Marcy May Marlene" all year; the film, the debut of director Sean Durkin (who was the producer of Antonio Campos' underseen "Afterschool"), bowed at Sundance, and has spent the l...

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    NYFF: "It Was A Very Slow Process" -- Michelle Williams Talks Challenge Of Portraying Marilyn Monroe

    And 5 Other Things Learned From The "My Week With Marilyn" Press Conference At NYFFWe've now reached the midpoint of the New York Film Festival, which means that tonight will see the World Premiere of the festival's Centerpiece, "My Week With Marilyn." While most of NYFF's films have stopped elsewhere on the festival carousel, this is one of the few films to make its world premiere at the fest. (It's certainly the one with the highest profile, that is, until Monday's secret screening anyway.) Based on two memoirs by Colin Clark, "The Prince, The Showgirl And Me: 6 Months On The Set With Marilyn & Olivier" and "My Week With Marilyn," the film ...

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    NYFF ‘11 Review: A Slight & Superficial 'My Week With Marilyn' Often Resembles A Lifetime Movie

    Marked by an admirable, but certainly not spectacular performance by Michelle Williams -- in a role she's arguably not very suited for -- some wonderful costuming, set design and locations, and a stand-out supporting turn by Judi Dench, there aren't many other favorable things to say about "My Week ...

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    NYFF ’11 Review: ‘Pina’ Is A Gorgeously Photographed, Three-Dimensional Sleeping Pill

    It’s strange to be truly startled and taken aback by the powerful effects of properly utilized 3D not in some Hollywood blockbuster where half of a major Midwestern American city is blown to smithereens by giant transforming robots, but during a quiet, understated, impressionistic documentary/tribute to influential German choreographer and dancer Pina Bausch (directed by Wim Wenders, no less). In fact, this might be the most amazingly you-are-there use of the technology since James Cameron landed us on Pandora. It’s just that, along with the fantastical visas and bounding, leaping, protruding dancers, you wish that the movie were more than ju...

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    NYFF '11 Review: Bela Tarr's Swan Song 'The Turin Horse' Is Despairing But Unforgettable

    If the name Béla Tarr rings any sort of bell in your head, chances are you've already formed an unwavering opinion of his work. He hasn't exactly shaken up his approach since 1988's "Damnation" (that said, this writer -- probably like most -- isn't familiar with his crop of '90s short films), and if...

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