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Tribeca Film Festival

Tribeca Film Festival

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    Tribeca Review: 'A Case Of You' Is A Painfully Insipid Rom-Com For The Social Media Generation

    It was only a matter of time before someone tried to fully exploit our current social media communication age for the evils of the generic romantic comedy and "A Case Of You," a new Justin Long-led rom-com, does just that; abusing the Facebook platform to create the first creepy FB stalker comedy. S...

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  • Caryn James
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    'The Reluctant Fundamentalist': Mira Nair's Mirror of American-Pakistani Relations

    In a Lahore cafe, the Pakistan-born, Princeton-educated hero of Mira Nair's The Reluctant Fundamentalist tells an American reporter about his reaction to the World Trade Center attacks. Changez (Riz Ahmed) was as horrified as anyone – but at first there was an instinctive smile, simple "awe," ...

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    Tribeca Review: 'Lil Bub & Friendz' Is Not The Catumentary You Thought It Would Be

    WHY IS THIS A THING, PEOPLE? Do you like cats? Stupid question, you're on the internet. We can see you've got a tab open with all sorts of cat videos and gifs. You told your friends you were sick of them sending Keyboard Cat videos to you, but you secretly weren't. You ironically bought one of those...

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  • Thompson on Hollywood
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    Tribeca Film Institute Honors 'Middle of Nowhere' Director Ava DuVernay, Latin American Filmmakers

    "Middle of Nowhere" director Ava DuVernay is the well-deserved winnr of Tribeca Film Institute's first Heineken Affinity Award, which gives the African American independent filmmaker $20,000 in cash as well as year-round support from TFI for future projects.

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    Tribeca Review: ‘Big Bad Wolves’ Is A Deeply Brilliant, Surprisingly Funny Israeli Revenge Thriller

    Back in 2009, “Let the Right One In,” a slick, deeply felt genre piece from a far away land, played the Tribeca Film Festival and blew almost everyone (this writer included) away. It’s hard not to think about “Let the Right One In” while watching “Big Bad Wolves,” a similarly slick foreign language ...

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    Tribeca Review: Neil LaBute Goes Back To Basics In Spartan, Scintillating 'Some Velvet Morning'

    When filmmakers find themselves in a rough place, they tend to dial back their productions, usually by necessity, but also as a refresher course in refueling the creative spirit. Playwright Neil LaBute has had a rough go of it in his last few big-screen adventures: "Lakeview Terrace" was a half-bake...

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  • Indiewire
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    Why the Good Narratives at the Tribeca Film Festival Are Away From the Spotlight

    Real life offers many stories worth telling and an increasingly affordable means of telling them, so it comes as no great surprise that great documentaries circulate more prevalently with each passing year. As usual, the sizable program at the Tribeca Film Festival is especially strong with non-fict...

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  • Indiewire
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    Tribeca Review: 'Gasland' Gets a Sequel, But Does It Offer Anything New? Looking At 'Gasland Part II'

    Josh Fox's 2010 Oscar-nominated documentary "Gasland" compellingly exposed the damaging impact of a form of natural gas drilling called hydraulic fracturing, otherwise known as fracking, on small town America. Framed by Fox's wry perspective, the movie clearly demonstrated how fracking and the oil c...

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    Tribeca Review: Hollywood Satire 'Trust Me' Continues Industry Self-Love Designed As Self-Mockery

    It takes some audacity to open your film with an homage to "Sunset Boulevard," but that doesn't seem to worry Clark Gregg. A journeyman actor valued by filmmakers like David Mamet, Gregg has had a dynamic few years, making his directorial debut with Chuck Palahniuk adaptation "Choke" and an attentio...

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    Tribeca Review: ‘The Pretty One’ Is A Sweet Fairy Tale Of Identity Lost Then Found

    There are movies about twins and there are movies about switching identities and there is “The Pretty One,” which uses both conceits for its tale of self and lack thereof. And to be fair, the premise of this quirky Tribeca comedic drama -- that’s ultimately much more affecting and genuinely melancho...

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