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Workaholic environmental attorney Alex (Mary Elizabeth Winstead) has always relied on her husband George (Chris Messina) to take the reins at home. But when he unexpectedly asks for a break, his departure forces Alex to reevaluate her life as she juggles the care of her son and needs of an aspiring-actor father (Don Johnson), all amid the most important case of her life. [Synopsis courtesy of Tribeca Film Festival]
Academy voters show their serious side with this year's nominations — and that could give African-American drama "Moonlight" a Best Picture advantage.
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To celebrate the 100th episode of Very Good TV Podcast, a few of IndieWire's favorite TV people shared their thoughts on the significance of TV in 2017.
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Filmmakers tell IndieWire what cameras they used to shoot their Sundance films and why they chose them.
IndieWire asked Sundance filmmakers how the election changed the way they viewed their films and careers. Their answers are as varied as their films.
Screen Gems is using the $3,000 Sony a7S II to shoot "Cadaver" in what will likely be a continuing trend for the mini-major studio.