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Behind the Camera: Why Mr. E Went to Hollywood
E J-Yong’s meta-movie centers on a group of Korea’s best film technicians and actors who have assembled in order to shoot a 10-minute smartphone promo, with some of the actors playing themselves and some playing other actors. Adding another meta-layer, E J-Yong plays himself directing them remotely via Skype.
"Game of Thrones" is out, so what new and returning contenders will have a shot at the crown?
A slew of new comedies — led by “Atlanta” — will fight for a slot in an ultra-competitive race.
HBO is looking to reclaim this category after losing to “Sherlock” in 2016, but PBS, Lifetime, and more have strong Emmy offerings.
How is the relationship between film and TV changing? We use this year’s SXSW lineup to explore the answer to that question.
Very Good TV Podcast: The recent “It’s Always Sunny” character farewell reminds us of emotional sendoffs from other great series.
With Anne Thompson on vacation, Eric Kohn finds Linklater and his AFS cohorts on their home turf to discuss the genesis of their new theater space.
Plec on fans (both good and bad), the return of Nina Dobrev, and how seeds have already been planted to keep the “TVD” franchise going. Plus: A look at the return of FX’s “The Americans.”
If you've never seen the trilogy, now's a perfect time to start. Here are some reasons why it's worth the watch.
ESPN won their first Oscar last night, but Ezra Edelman's masterpiece isn't their first film to tackle big issues and reach a huge audience outside the liberal bubble.
A look back at Filmmaker Toolkit Podcast conversations with Barry Jenkins, Ezra Edelman, Maren Ade, Damien Chazelle and more.