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From Paris in the sixties to 21st-century London, Madeleine and her daughter Vera waltz in and out of the lives of the men they love. But not every era allows us to love blithely and lightheartedly. How are we to resist the sands of time that attack our most heartfelt sentiments? [Synopsis courtesy of Cannes Film Festival]
The theme of change galvanizes the production and costume design contenders including new entries “Outlander” and “The Man in the High Castle.
Not unlike the brilliant vigilante hacker he plays on Emmy-nominated series “Mr. Robot,” Rami Malek rides high-charged emotions to fuel his work.
The third season of Mike Judge's tech-sector satire reveals its soft heart—good and weird in all the right places.
Eric Kohn and Anne Thompson discuss why director's past could haunt his film's awards season plans. Plus: Two new releases worth your time.
Anne and Michael make their picks in the acting, directing and writing comedy categories.
Do any of the newcomers have a shot to dethrone the past winners?
Which of the performers from "The People vs. O.J. Simpson" and "Game of Thrones" have a chance to rise above their nominated co-stars?
Six NYU graduate students will receive film stock and processing from Kodak and Film Factory.
The directing fellows from this year's lab share some filmmaking secrets from some of the best teachers in the world.
Gaspar Noé explains how his film's command your attention.