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The story of two totally contrasting figures who come together in the most hostile of circumstances, only to form an unlikely bond that will help them both find a way out of their respective troubles. It is a bittersweet comedy about growing up and rediscovering youth in parallel, united by the subconscious desire to seek out the missing elements in their lives.
Academy voters show their serious side with this year's nominations — and that could give African-American drama "Moonlight" a Best Picture advantage.
Who made the cut? And who didn't? Here's a quick look at some of the unexpected results.
Check out our one-one-one video exclusives with contenders Amy Adams, Joel Edgerton, Meryl Streep and more.
Here's who we think will win big on Sunday.
The Emmy-winning “Scandal” alum is a lot more than just “24’s” new Chloe. Plus: A review of the final “Bates Motel” season and more.
Filmmaker Toolkit Podcast, Ep 21: To calibrate the film’s rhythms and tone Damien Chazelle and editor Tom Cross experimented with cutting out each of the film’s hit musical numbers.
To celebrate the 100th episode of Very Good TV Podcast, a few of IndieWire's favorite TV people shared their thoughts on the significance of TV in 2017.
Filmmakers tell IndieWire what cameras they used to shoot their Sundance films and why they chose them.
IndieWire asked Sundance filmmakers how the election changed the way they viewed their films and careers. Their answers are as varied as their films.
Screen Gems is using the $3,000 Sony a7S II to shoot "Cadaver" in what will likely be a continuing trend for the mini-major studio.