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Noémie Lvovsky’s ebullient twist on the comedy of remarriage transposes Frances Ford Coppola’s Peggy Sue Got Married to present day France, which means that when the titular Camille—who’s in the throes of divorcing her husband of 25 years—passes out drunk, she wakes up as a high school senior in the mid-1980s (leg warmers, “Walking on Sunshine” on the turntable, and no cell phones in sight.)
"Game of Thrones" is out, so what new and returning contenders will have a shot at the crown?
A slew of new comedies — led by “Atlanta” — will fight for a slot in an ultra-competitive race.
HBO is looking to reclaim this category after losing to “Sherlock” in 2016, but PBS, Lifetime, and more have strong Emmy offerings.
How is the relationship between film and TV changing? We use this year’s SXSW lineup to explore the answer to that question.
Very Good TV Podcast: The recent “It’s Always Sunny” character farewell reminds us of emotional sendoffs from other great series.
With Anne Thompson on vacation, Eric Kohn finds Linklater and his AFS cohorts on their home turf to discuss the genesis of their new theater space.
Plec on fans (both good and bad), the return of Nina Dobrev, and how seeds have already been planted to keep the “TVD” franchise going. Plus: A look at the return of FX’s “The Americans.”
If you've never seen the trilogy, now's a perfect time to start. Here are some reasons why it's worth the watch.
ESPN won their first Oscar last night, but Ezra Edelman's masterpiece isn't their first film to tackle big issues and reach a huge audience outside the liberal bubble.
A look back at Filmmaker Toolkit Podcast conversations with Barry Jenkins, Ezra Edelman, Maren Ade, Damien Chazelle and more.