Synopsis: Zachary Heinzerling’s remarkable debut is an indelible portrait of art, companionship, and the 40-year love story between Ushio and Noriko Shinohara, two Japanese artists who meet and marry in New York in the early 1970s. Surviving decades of hardship, resentment, financial anxiety, thwarted aspirations, and Ushio’s chronic alcoholism, they are a study in artistic symbiosis. Now 80 years old and finally sober, Ushio is preparing a joint exhibit with Noriko, yet he still treats her as a de facto assistant. Ushio’s mixed-media sculptures and “boxing” paintings, infused with chaotic energy, have brought notoriety—but rarely income. Meanwhile, Noriko, emerging from her husband’s shadow, creates intimate comic-styled watercolor and ink drawings that tell the story—a muted empowerment fantasy—of their alter egos, Cutie and Bullie. [Synopsis courtesy of Sundance]
Among the 115 features that screened in Park City this year, Indiewire reviewed 30 titles, including films from every section of the festival. Links to all of them can be found here in alphabetical order.
Read More »"Art is a demon that drags you along," says 80-year-old visionary painter Ushio Shinohara in first-time director Zachary Heinzerling's delicate portrait "Cutie and the Boxer," but neither Shinohara nor his supportive wife and fellow artist Noriko are looking for a cure. Heinzerling's beautifully sho...
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