Synopsis: Everyday tells the story of four children separated from their father, and a wife separated from her husband. The father, Ian (John Simm), is in prison. The mother, Karen, (Shirley Henderson) has to bring up a family of four children by herself. Filmed over a period of five years, Everyday uses the repetitions and rhythms of everyday life to explore how a family can survive a prolonged period apart. [Synopsis courtesy of TIFF]
While “The Master” and “Cloud Atlas” stormed TIFF this festival year with their sweeping performances and expansive themes (one film a little more successfully than the other, by most accounts...), it was inevitable that many other films, even from world-renowned directors, were going to fall under ...
Read More »Looks like we were a dismal 1 for 5 on our Telluride wishlist/prediction piece, but no matter as there is still a lot to get excited about. The folks out in Colorado have unveiled their slate with the festival kicking off tomorrow, and it's a great mix of premieres and gems from Venice and Cannes.
Read More »Michael Winterbottom is a predictably unpredictable filmmaker – always zigging when you think he's going to zag, and taking on material that is uniform only in the sense that it's always very different and very challenging. Everything from his hardcore sex romp "9 Songs" to his sci-fi-ish "Code 39" ...
Read More »Well, here's a bit of surprise in a fall festival season that seems full of them. With TIFF announcing their final batch of titles today, Michael Winterbottom's long-developing "Everyday" (previously known as "Seven Days") will head to Toronto to make its world premiere, ...
Read More »It's taken over a month to unveil the expansive, hugely exciting lineup for this year's Toronto International Film Festival, and with opening night (the premiere of Rian Johnson's "Looper") a little over two weeks away, the slate was finally completed this morning by a selection of announcements fro...
Read More »The ultra prolific British helmer Michael Winterbottom has now made twenty films since his debut, “Butterfly Kiss,” in 1995. His eclectic creative appetites and peripatetic energy has seen the restless director take on a disparate array of projects from moody sci-fi ("Code 46")...
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