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“Majo” Tonorio, a.k.a. Filly Brown, is a raw, young Los Angeles hip-hop artist who spits from the heart. When a sleazy record producer offers her a crack at rap stardom, Majo faces some daunting choices. With an incarcerated mother, a record contract could be the ticket out for her struggling family. But taking the deal means selling out her talent and the true friends who helped her to the cusp of success.
The French actress relied on decades of experience for two very different must-see fall films that could finally land her an Oscar nomination.
For Barry Jenkins’ introspective, African American portrait, composer Nicholas Britell created new sonic shape.
The NYFF has yielded the actress to beat in a very competitive year at the Oscars.
Here’s what the latest Gotham Awards nominations tell us about the state of awards season.
The breakout director breaks down how he crafted a film that allows audiences to enter the internal world of one young man struggling to grow up in Miami.
Also in this episode: Snoop Dogg’s take on marijuana legalization (spoiler: he’s for it) and a review of Hugh Laurie’s new Hulu drama “Chance.”
To celebrate the 10th anniversary of “30 Rock’s” premiere, IndieWire looks back on how Tina Fey and Alec Baldwin’s landmark comedy impacted television.
Doc filmmakers are capturing the unscripted concerns of Republicans.
Director Andrew Neel and cinematographer Ethan Palmer counter Hollywood’s brightly lit, sanitized version of college.
Adding new layers of curation to their popular Staff Picks, Vimeo has unveiled new laurels: Best of Week, Best of Month and weekly “Premieres.”