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“Majo” Tonorio, a.k.a. Filly Brown, is a raw, young Los Angeles hip-hop artist who spits from the heart. When a sleazy record producer offers her a crack at rap stardom, Majo faces some daunting choices. With an incarcerated mother, a record contract could be the ticket out for her struggling family. But taking the deal means selling out her talent and the true friends who helped her to the cusp of success.
"Game of Thrones" is out, so what new and returning contenders will have a shot at the crown?
A slew of new comedies — led by “Atlanta” — will fight for a slot in an ultra-competitive race.
HBO is looking to reclaim this category after losing to “Sherlock” in 2016, but PBS, Lifetime, and more have strong Emmy offerings.
How is the relationship between film and TV changing? We use this year’s SXSW lineup to explore the answer to that question.
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With Anne Thompson on vacation, Eric Kohn finds Linklater and his AFS cohorts on their home turf to discuss the genesis of their new theater space.
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If you've never seen the trilogy, now's a perfect time to start. Here are some reasons why it's worth the watch.
ESPN won their first Oscar last night, but Ezra Edelman's masterpiece isn't their first film to tackle big issues and reach a huge audience outside the liberal bubble.
A look back at Filmmaker Toolkit Podcast conversations with Barry Jenkins, Ezra Edelman, Maren Ade, Damien Chazelle and more.